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...surrealist piano accompaniment of a laughing box, called "Opus 354: Sonata for Piano and Laughing Box." Or take the sentimental favorite. "New York City," which consists of three stoccato piano chords followed by a shout of get out of the way, you fuck." Bruce fittingly calls his music "Surrealist Neo-Classic Avant Garde Jazz/Rock and Roll...

Author: By Michael Barber, | Title: Response | 4/21/1977 | See Source »

Long before then, industry will step up the search for saccharin alternatives. One clearly in sight, called Neo-DHC (neohesperidine dihydrochalcone-one trade name, SUKOR), has a lingering aftertaste with menthol overtones. It sweetens grapefruit juice or grapefruit-flavored soda; it is made from grapefruit and orange rinds. So far, it has had no adverse effect on rats or journalists who have sampled...

Author: /time Magazine | Title: REGULATION: The Sour Taste of a Sweetener Ban | 3/28/1977 | See Source »

Your article on the neo-Nazis [Feb. 28] makes me wonder whether the human race learned anything from the Hitler era. There still seem to be people who hate Americans whose ancestral backgrounds are not truly "American". I should just like to know where those Nazis themselves all come from...

Author: /time Magazine | Title: Letters: The Ultimate | 3/21/1977 | See Source »

Fragments of a strange, neo-Marxist, semicomic, mostly portentous sports story broke-I should say oozed-out of Cleveland the other week...

Author: /time Magazine | Title: BYPLAY by ROGER KAHN: The Socializing of Slap Shots | 3/21/1977 | See Source »

...they also--particularly the dancers and the bathers--gave him leeway to play fast and loose with neo-classical conservatism. He tested the capacity of elegant design to withstand challenging poses. With the dancers, Degas takes on very difficult ballet postures and flirts wtih disequilibrium. With the bathers--and some of the horses--he plays the voyeur, catching his subjects in ungainly and at times vulgar contortions. Yet throughout his eye for "arabesque" (a term borrowed from dance, meaning "overall pattern of line") prevails, and his statuettes withstand his often perverse challenges. It is as if Degas wanted to tease...

Author: By Mark T. Whitaker, | Title: Where Classicism Meets the Left Armpit | 3/9/1977 | See Source »

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