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...invented the history of women and food,” and in 2007, when Drew G. Faust, then the Dean of Radcliffe, held a conference about Food and Gender, Haber knew the field had arrived.Despite the historically lukewarm reception of the culinary arts, many Harvard alumni have made names for themselves in the food industry. OCS has tapped into this alumni connection in the food industry to bolster its new program for careers related to food and drink. Last month, OCS hosted a panel for careers related to the industry, featuring three Harvard alumni and the son of a Harvard...
...Genre, race, class, and sexual orientation had no bearing on what direction these original innovators would take, precisely because they represented the most marginalized of minorities in America. The greatest ambassador of this brand of disco, at least in my mind, is a now little known producer and composer named Arthur Russell. A pockmarked gay Iowa farmboy and classically trained cellist, Russell spent his youth between a Buddhist monastery, psychedelic San Francisco, and ultimately New York City, where he produced dance music with a singularity deserving of his improbable biography. This proto-disco he has come to stand...
...news story, "CES Founder Lauded at 80," repeatedly misspelled the name of the founder of the Center for European Studies. His name is Stanley Hoffmann, not Hoffman...
...name Guns N’ Roses is a hex, a curse; synonymous with dysfunction, collapse, and eternal damnation—the Voldemort of the rock world. The group has never made an album better than their 1987 debut “Appetite for Destruction”—one of the best hard rock records ever—and has never written a song better than “Welcome to the Jungle,” that album’s unforgettable first track. Two decades and four albums later, the band has hit its nadir...
...plays Martin, a man whose skill and precision behind the wheel are unrivalled, leading him to become—you guessed it—the Transporter. His job is simple: move precious cargo from one place to another. As such, he has three rules: never change the deal, no names, and never open the package. Inevitably, these principles attract a villain who uses the Transporter for a deal leading to lots of cool car chases. This provides the premise for a stilted kind of inner conflict as Martin must decide whether to follow his rules or his heart. Like...