Word: musication
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...record labels screwed themselves: "After almost eight years of stonewalling MP3s and Napster, major label employees gradually accepted the fact that freely selling digital music was the blueprint for survival. EMI's decision to sell MP3s was a step in this direction - as would be Amazon's MP3 store, MySpace Music, and the Radiohead model of giving away music online. But labels were still a long way from overcoming their outdated ideas. They clung stubbornly to long held beliefs that selling millions of pieces of plastic would return them to massive profits...
Technology saved the music industry in the '80s. Technology also destroyed it less than 20 years later. The advent of file sharing programs like Napster, the industy's refusal to adopt new distribution methods, free-spending executives, the shrinking of radio and the increasing power of big-box retailers over devoted record stores - all have led to the present situation, where many consumers would rather steal music than pay for it. Knopper's analysis of the situation is pretty insular, however. Rather than attempting to draw parallels between music and other entertainment industries that have been rocked by the Internet...
...book ping-pongs between a series of miniature, magazine-like profiles and intricate accounts of lawsuits and record company financial transactions. That's fine if you're dying to get the nitty-gritty on the rise and fall of Napster, or the way that Apple grew to dominate the music industry (both well-trod stories at any rate). but if you're looking for some novel conclusions or recommendations as to how the music industry can save itself, you might need to wait for Knopper's next book...
...think you've heard it all before, chances are you have. Some of the most exciting music today is being created by sound-sampling omnivores whose songs draw from bygone musical eras - take DJ Shadow, Amon Tobin or Mr Scruff. Enter Retrochine. More than a collection of kitsch remixes, this second release by Schtung Music duo Morton Wilson and producer Ian Widgery follows on from their hugely successful 1930s Shanghai Lounge Divas album, but this time ventures into 1950s and 1960s Hong Kong through the classic musical films of the Shaw Brothers...
...tracks, or sound collages, on Retrochine blend movie music with lashings of trip-hop, electronica and funk. Some use movie samples as their starting point: "Riding at the Speed of Sound" jazzes up the pathos-imbued vocals of 1960s starlet Carrie Ku Mei with rock riffs and a break-beat exuberance worthy of Basement Jaxx. Others are simply inspired by the movies, like the cheeky "(21st Century) Char Siu Bao," which features present-day siren Gloria Tang singing in Mandarin to the tune of "Mambo Italiano...