Word: museum
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...which Delisle slyly describes as "science fiction." Mr. Kyu later returns the book nervously but says little about it except that he "doesn't like science fiction." The apparently humorless Mr. Sin says little more than party dogma. He becomes emotional only during a visit to the huge museum dedicated to Papa Kim, where visitors must wear comical giant slippers so as not to scuff the floor. "What a great and generous man!" Sin exclaims at the ludicrous and nearly endless display that concludes with a wax replica of Kim Il-Sung before which all visitors must...
...dynasty daggers and ax heads; a bronze mask, perhaps from the important Sanxingdui find; and Tang ceramics-were still without identification labels. And the collection itself is uneven, though the true masterpieces are carefully set apart from the more mundane offerings. Still, it is tempting to go through the museum wondering what Cernuschi and the curators who followed him could-or should-have bought. Calligraphy from the Han dynasty? Silver and gold ornaments from the Tang dynasty...
...neither Cernuschi the man nor Cernuschi the museum intended to present an exhaustive collection of Asian art. Instead, in a quiet residential quarter of Paris, the museum offers, as curator Gilles Bèguin eloquently puts it, an "aesthetic promenade," a kind of random walk through the earliest periods of Chinese art. And that is exactly what makes the Musèe Cernuschi unique among museums of Asia. Just what Enrico, or rather Henri, would have wanted...
Forget the turning of the leaves in Hibiya Park?the real sight to behold in Tokyo this autumn will be German Contemporary Photography. Running from Oct. 25 to Dec. 18 at Tokyo's National Museum of Modern Art (momat.go.jp), this sweeping exhibition comprises work shot over 40 years by a remarkably diverse group of photographers. One common theme is Germany's sudden rise (and subsequent decline) as an industrial power; look out for the grim, 1960s factory pictures by Bernd and Hilla Becher (the oldest work on show) or the disturbing aridity of Hans Christian Schink's images...
...When Mike transfers back to Harvard after the attacks, he is utterly out-of-touch with reality. Nearly every time he opens his mouth, he spews out lies (with one exception: he carries on a frank, two-way conversation with a fossilized vertebra at the Harvard Museum of Natural History.) His behavior grows increasingly pathological: at one point, he embarks on a bid to convince his fellow students not to buy newspapers from the homeless man in Harvard Square who sells Spare Change News...