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...architecture enthusiasts anticipating that the sterling sleekness of the Guggenheim Museum will come to Allston may have to wait...

Author: By Laura A. Moore, CRIMSON STAFF WRITER | Title: Gehry Uncertain About Future Allston Involvement | 4/5/2007 | See Source »

...Underground Railroad, they had no idea that their hypothesis would inspire rancor from scholars who declared it false. They also couldn't have predicted how their story, published less than 10 years ago, would capture the popular imagination - being treated as fact on The Oprah Winfrey Show, in museum exhibits, in children's textbooks and on the Web, and spawning an industry of quilt code books and patterns...

Author: /time Magazine | Title: Unravelling the Myth of Quilts and the Underground Railroad | 4/3/2007 | See Source »

...Nevertheless, the story continues to be told in places like the Plymouth Historical Museum in Plymouth, Mich., where an exhibition entitled "Quilts of the Underground Railroad" is up for the fifth year in a row. Over 6,000 school children have seen the exhibit, which presents the thesis of a quilt code. There are also smaller lectures taking place at local libraries, churches and quilt guilds all over the country. The story has also ended up in lesson plans and textbooks (TIME For Kids even published an article about Hidden in Plain View in a middle school art book published...

Author: /time Magazine | Title: Unravelling the Myth of Quilts and the Underground Railroad | 4/3/2007 | See Source »

...women like Anna Lopez, the education coordinator at the Plymouth Historical Museum, see no reason why the story of quilt codes can't be fact. "What I tell kids is, who writes history? Men do. Mostly white men. Then I ask, who made quilts? Women did, and a lot of black women made quilts and passed on their oral history. No one wrote down their history, so who knows...

Author: /time Magazine | Title: Unravelling the Myth of Quilts and the Underground Railroad | 4/3/2007 | See Source »

Camouflage is not all it seems. When man first daubed himself in mud, dressing to fool the eye was the art of the hunter rather than of the prey. Its use in military defense, according to "Camouflage," an exhibition at London's Imperial War Museum until November, evolved as a result of the advent of long-range precision weaponry. Only in 1915, when the French army established a specialist camouflage unit, did the study of concealment, distortion and deception techniques begin. But it was art, not military science, that led the way. "Armies realized they could put artists' knowledge...

Author: /time Magazine | Title: The Art of Concealment | 4/3/2007 | See Source »

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