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...also addressed a different kind of overcrowding—that of Harvard’s undergraduate drama spaces. “Apart from antiquated Sanders, Harvard still has no proper theatre. Student producers must make do with what space they can find: common rooms and dining halls, a museum courtyard, a disused swimming pool, even a roped off street,” the program wrote in promotional material. New York investment banker John L. Loeb ’24 contributed $1 million of the $1.5 million needed for the Loeb Drama Center, which opened in 1960. Four years later construction...

Author: By Jamison A. Hill, CRIMSON STAFF WRITER | Title: Preparing the Age that Was Coming | 6/1/2007 | See Source »

What Holl has produced, working with his senior partner, Chris McVoy, is something that doesn't merely mimic the classicism of the older museum building but reformulates it in 21st century terms. As Holl puts it, he promised Wilson and the museum's trustees that "the new will be as new as can be, but the old will be preserved." If anything, he amplified the classicism of the space behind the old building by positioning the longest and most conventionally rectangular of his lenses at a perpendicular to the museum's rear faade. That created a square courtyard with...

Author: /time Magazine | Title: Light at the Museum | 5/31/2007 | See Source »

Once you get inside, classical references are out, plunging diagonals are in. And though the gallery spaces are intricately conceived, they don't compete with the art, a complaint that's been raised against Frank Gehry's Guggenheim Museum Bilbao and Daniel Libeskind's addition to the Denver Art Museum. "I wanted a building that artists would appreciate," says Holl. So at eye level the galleries maintain their composure. It's overhead where he gets busier, playing with tilted ceilings and oversize curving alcoves that operate like cloud formations--meaning there's always something interesting going on up there...

Author: /time Magazine | Title: Light at the Museum | 5/31/2007 | See Source »

Holl has long simmered on the edge of superstardom. Until now, he was best known for a handful of highly regarded projects: a superb little church in Seattle, a much talked-about museum in Helsinki. But his tough-minded aesthetic positions have sometimes worked against him. Last year the artist Richard Tuttle and his wife aired complaints in the New York Times about a guesthouse Holl had designed for them. Then last fall Holl exited a Denver courthouse project after a series of disagreements. So the Bloch building is not just a triumph; it's a timely one. Those five...

Author: /time Magazine | Title: Light at the Museum | 5/31/2007 | See Source »

...perfect iteration I've seen of the television-era candidate. At one point, I squinted a bit and saw him in the middle distance: blue suit, white shirt, red tie, high forehead, slick black hair, tan, tall and ramrod straight - he could have been an exhibit in some future Museum of Natural History: Politicianus americanus. Matt Lauer and a Today show crew were following him around, and at the high school speech Romney did a slightly cheesy thing, inviting Lauer on stage, amping his candidacy with a.m. glitz. Romney said that "in a moment of frivolity" he had picked...

Author: /time Magazine | Title: Romney's Disappointing Campaign | 5/31/2007 | See Source »

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