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Word: mullions (lookup in dictionary) (lookup stats)
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...always remained attached to the visible world. Just look at Goldfish and Palette, from 1914, in which light and shadow, form and space, are distilled into ambiguous stage flats. Is that black strip down the center of the painting a wall or a shadow? Actually, it's the central mullion of a window and its shadow, widened and dislocated by perception and imagination. Planes of pure color pressed tight against the surface of the picture, those passages of black, white and blue don't so much depict light and shadow as conduct their essences into the canvas. At the same...

Author: /time Magazine | Title: Great Leap Forward: Matisse in Chicago | 4/12/2010 | See Source »

Schwartz and Jarosiewicz were the key witnessesagainst Walsh, testifying that he masterminded thesecond mortgage scheme. Assistant U.S. attorneyPeter. J. Mullion produced extensive documentationshowing purchase and sale agreements where Walsh'ssignature had been whited out in an attempt tocover up the councillor's involvement...

Author: By Terry H. Lanson, | Title: Walsh Convicted on 41 Counts | 4/4/1994 | See Source »

...Thursday, Assistant U.S. Attorney Peter J. Mullion attempted to show Walsh's involvement in the scheme by asking him to identify investors who had approached him regarding the project...

Author: By Terry H. Lanson, SPECIAL TO THE CRIMSON | Title: Walsh Stands Up to Intense Cross-Examination in Continuing Trial | 3/19/1994 | See Source »

News Editor for this issue: Julie L. Belcove '89 Night Editors David J. Barron '89 Emily M. Bernstein '90 Martha A. Bridegam '89 Noam S. Cohen '89 Mark M. Colodny '89 Ross G. Forman '90 Susan B. Glasser '90 Teresa A. Mullion '90 Editorial Editor: John C. Oyo '89 Features Editor: Benjamin R. Miller '89 Sports Editor: Julio R. Varela '90 Copy Editor: Christine Dimino '92 Photo Editor: Laura A. DeBonis '91 Business Editor: Henry Sicignano...

Author: NO WRITER ATTRIBUTED | Title: Editor for this issue: | 10/26/1988 | See Source »

...right to expect fine detail from Mies, and the Houston museum is no letdown; every junction is the vehicle of his meticulousness, proclaiming that a millimeter's change in the thickness of a mullion flange would read as a loss. The ground-floor film and lecture theater, with its black seats and dark teak rear wall, is a jewel of sober, lucid design. But on the large scale, all this is lost. Apart from the Houston Astrodome, one could barely imagine a less sympathetic space for showing art than Mies' vast curving hall, longer than a football field...

Author: /time Magazine | Title: Architecture: Museum Without Walls | 10/29/1973 | See Source »

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