Word: mullers
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...Amelia Muller ’11 is no stranger to Harvard theater. She appeared in the 2008 Freshman Musical, and in the last year, served as set designer for both “Big River” and “The Flies.” But this semester? “I wanted to do something that scared the crap out of me a little bit,” she said...
...wanting to read a bunch of old newspapers, I sought advice from former TIME editor Henry Muller, who picked Mikhail Gorbachev as the 1980s Person of the Decade. "The process is pretty simple. Pretend to consult a lot of people, and then make the decision yourself," he told me. I did him one better. I pretended to pretend to consult a lot of people and made the decision myself. (See TIME's 2009 Person of the Year: Ben Bernanke...
Visually, “The Flies” plays it safe under the direction of M. Amelia Muller ’11. No sets and props are impressive or revolutionary, but their symmetry, harmonious colors, and moderate lighting render them all pleasant. The shadow silhouettes on the background wall are effectively executed; the visual factors of the play remain fairly quiet as well, never detracting from the action on stage, save for one moment. In an unfortunate set decision, the barricade blocking the entrance of the cave to hell goes flying, awkwardly disrupting the rhythm of the show. But unlike...
...seedy little town,” observes set designer M. Amelia Muller ’11, “the bar is always the centerpiece, and it’s always a scummy bar.” Muller was able to accomplish this run-down aesthetic using the same brown colors that dominate the play’s posters. But the biggest challenge of “The Flies” for Muller was the scale of the production, which demanded five distinct sets...
...production and the presence of a professional director, the subject matter of “The Flies” should appeal to a broad variety of students. “What’s really cool is that it can cross literary and genre boundaries,” says Muller. “It is first Greek myth, then Sartre, and then Geordie’s interpretation of Sartre. It offers something to many different people...