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...snub was compounded in awkwardness because Turner had been chosen to read the nominations to the press and because her fellow reader, Jeremy Irons, then drawled cattily, "I always think it's better to be nominated than to win." Other than that, how do you like the play, Ms. Turner? "I was taken off guard," she says of l'embarras terrible. "But I'm absolutely thrilled for the play. It proves to me the excellence of the project...

Author: /time Magazine | Title: People, May 22, 1995 | 5/22/1995 | See Source »

...court upheld Loupan's right to criticize the French department in the above manner, writing, "If such a characterization is incontestably severe, it does not constitute, in itself, an attack on the honor or the consideration of the professors--and singularly of Ms. Jardine--as it is exclusively criticized as proceeding from debatable literary choices...

Author: By Douglas M. Pravda, | Title: French Prof. Wins Libel Suit Against Figaro | 5/15/1995 | See Source »

...dyers often catch sight of open-mouthed gapes and wide-eyed stares. "No stranger ever says anything," Brown says. "They just stare." Workman adds that "little kids can't keep their eyes off my hair." Of course, these enraptured spectators can hardly be blamed for their violation of Ms. Vanderbilt's no-staring rule. The novelty of blue hair is justification enough for these bad manners...

Author: By Jason Frydman, | Title: A Good Day to Dye | 5/10/1995 | See Source »

Harry Thoreau (James LeGros), Julian's partner in the bank job, has been waiting at the Marilyn Motel, where the rooms all bear names of Ms. Monroe's films. Julian wants to take his money and his girl and be on his way, but there are, as Harry points out, two major problems with that plan. The first is that Lucille has taken up with Tuerto (James Belushi), a ball-scratching casino-owner and thug. The second is that "the money the weirdness is gone." And here is where the weirdness starts...

Author: By Benjamin Cavell, | Title: 'Destiny' in Vegas? | 4/27/1995 | See Source »

Opening this morning's Crimson, I was surprised that Lorraine Lezama found my love life so interesting that she felt the need to misrepresent and ridicule it in print. Ms. Lezama has never met me, but she nonetheless feels qualified to lecture not simply about long-distance relationships in general, but about mine in particular, which I found inappropriate and just plain tacky. If she had bothered to ask me, she would have learned that I agree that "mad passion" deals poorly with issues of everyday life, which is why the famous lovers she mentions--such as Romeo and Juliet...

Author: NO WRITER ATTRIBUTED | Title: Lezama's Article Inappropriate | 4/26/1995 | See Source »

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