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...events that counted toward the title. His 1965 record so far is even more impressive: three Grand Prix entered, three Grand Prix won. In five short, incredible years, Clark has won 16 world championship Grand Prix races-more than anybody else, including Britain's fabled Stirling Moss, who spent eight years winning 14, and Argentina's five-time World Champion Juan Manuel Fangio, who had 16 when he quit racing at the age of 47. Says Moss: "In terms of sheer native ability, Jim probably has more than any champion in history." Lotus Designer Colin Chapman puts...
Some break. Chapman's new monocoque Lotuses had proved to be a sensation all right. Stirling Moss had crashed in one and nearly been killed; Mike Taylor had crashed in one and nearly been killed; Allen Stacey had crashed in one and been killed. "I wouldn't drive a car like that," growled the U.S.'s Phil Hill. "You never know what piece is going to break off next." In the Dutch Grand Prix, Clark's gearbox broke; in the British Grand Prix, it was his suspension. In 1961, Jim finally was able to sign full...
...gearbox in Clark's Lotus. Then next day Jimmy worked his way into the lead on the first lap-and ran away with the race for his first Grand Prix victory. Before the year was out, he had won two more, heard himself hailed as "the new Stirling Moss." All that praise was flattering, but Jim would have preferred to win the championship that went instead to Britain's Graham Hill. He would have had it, too, if "one bloody little runt of a screw" had not fallen off the distributor shaft and let loose his oil while...
...Pitching a tent used to be akin to struggling with an octopus. Now Moss Tents of Ann Arbor, Mich. (P.O. Box 54), has produced the Bubble Tent, which can be zipped effortlessly into place in H min. flat. Carried in an 8-ft. tube attached to the station-wagon rack, it pulls out in one move, pops open like an umbrella, stays aloft by means of fiber glass poles, and sleeps four in airy, mosquito-proof comfort. Cost...
Born in Paris of Venezuelan parents, Marisol (means "sea and sun" in Spanish) dropped her last name, Escobar, as too masculine-sounding. She came to the U.S. in 1950, settled in Manhattan, and studied with Hans Hofmann. She speaks in the shy monotone whisper of wind wafting through Spanish moss, seems always to be peeking around the corners of her long black hair with nearly expressionless stealth, and only the keenest humor will send a smile rippling across her lips. It is the same face that appears again and again in her art, penciled on wood, cast in plaster, even...