Word: morrisonism
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Leaves of gas from Harrison and Morrison...
...marry, get a home/ Settle down, write a book/ Too much monkey business!" - publishers have been doing a brisk trade in books about rock. Two recent ones - George Harrison's I Me Mine and No One Here Gets Out Alive, a fisheyed life of the late Jim Morrison - have only rock in common. The Morrison opus, which has remained high on the trade paperback bestseller list for three months, is a sort of titillation special that reads like the hi-fi equivalent of the similarly successful memoirs of Shelley Winters. The Harrison book, on the other hand...
Jerry Hopkins and Daniel Sugerman have a fertile subject in Morrison, a reckless and unreconstructed mythomaniac who made the Doors into a band better known for their own notoriety than their reheated acid rock. Before he bloated his body with booze and fried his brain with various combinations of pharmacological excess, Morrison, the son of a rear admiral, was as stunning as a model. He was also the self-appointed model for the self-destructive rock idol...
...authors drag Morrison along from his military-brat childhood to his frenetic rambling around the Los Angeles music scene of the '60s, where he knew how to hold center stage, even lying on his back. Hopkins and Sugerman relate how Morrison, spread out on the studio floor, prepared for the first Doors recording session by chanting a primal litany of incest and patricide. The authors provide little evidence that Morrison grew much in the five years following this session, not emotionally, certainly not aesthetically...
...remained a hip poetaster, a psychedelic pushcart salesman hawking Oedipal nightmares like Good Humors. No One Here Gets Out Alive portrays Morrison not as he was but in the image that he built. He died in Paris in 1971 at the age of 27, still playing Rimbaud the way a young actor cannot shake off a role even after he has lost the part...