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Brown (2-1) prevailed over a surprisingly stubborn Penn (0-3) ide, 24-18, in Philadelphia. Field general Larry Carbone engineered a revved-up Bruin offense which produced nearly 500 yards. Fullback Marty Moran plunged over for the clinching touchdown...

Author: By Laurence S. Grafstein, | Title: Yale, Princeton Notch Shutouts; Brown Steamrolls Over Penn | 10/15/1979 | See Source »

...voice of scientific research is likely to be drowned out in favor of political and commercial interests," James M. Moran, professor of the Practice of Astronomy, said yesterday. "We could really suffer tremendously...

Author: NO WRITER ATTRIBUTED | Title: Radiation and Shuttle Experiments Occupy Center for Astrophysics | 9/28/1979 | See Source »

...satellite-frequency overcrowding worries radio astronomers. "You can't get away from a satellite," Moran said. "A satellite can blast a whole hemisphere and block frequencies essential to radio astronomy," he said. The search for signals of extraterrestrial life and the study of newly formed stars are areas particularly vulnerable to such interference, he said...

Author: NO WRITER ATTRIBUTED | Title: Radiation and Shuttle Experiments Occupy Center for Astrophysics | 9/28/1979 | See Source »

...distributed between the near and the far, has permeated American nature writing from Henry David Thoreau to Carlos Castaneda. It is as central to Adams' photography as it is to O'Keeffe's painting, or further back to the landscapes of Yosemite and Yellowstone painted by Albert Bierstadt, Thomas Moran and their followers in the 19th century. An entire tradition of seeing is inherent in the word wilderness; it is essentially romantic. As Szarkowski has observed, "Adams' pictures are perhaps anachronisms. They are perhaps the last confident and deeply felt pictures of their tradition . . . It does not seem likely that...

Author: /time Magazine | Title: Master of the Yosemite | 9/3/1979 | See Source »

...noticed, the work of his 19th century predecessors, Western landscape photographers like Carleton E. Watkins and Timothy H. O'Sullivan. He was still influenced by the so-called pictorialists, photographers given to arty blurs and poses. He also disliked the canonical painters of the American sublime, Bierstadt and Moran. "Indians and bears walking out to the edge of cliffs!" he snorts. "They'd paint the Half Dome as though it were chewing gum. No essence, no spirit?just scene painting." Adams' problem was to find a modernist vision in photography, one that corresponded to the postimpressionist avantgarde, whose works...

Author: /time Magazine | Title: Master of the Yosemite | 9/3/1979 | See Source »

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