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COMMENCEMENT parts have been assigned to the following Seniors; G. F. Canfield, oration, "Plato's Moral Philosophy"; A. S. Thayer, oration, "Are Time and Space subjective?" J. S. O'Callaghan, oration, "Fatalism"; H. Preble, Latin oration; R. Montague, dissertation, "The Platonic Idea"; W. T. Campbell, dissertation, "The Evolution of Musical Thought"; N. Taylor, disquisition, "State Rights...

Author: NO WRITER ATTRIBUTED | Title: BREVITIES. | 6/25/1875 | See Source »

Character. - Amiable. Self-conscious to a considerable extent, with but little self-possession. Deeply religious, with tendency to Puritanism. Devoted to self-improvement, and in some cases to improvement of community. Remarkably acute perception of moral evil. Conversation full of references to personal experience. Ideas advanced with modesty and hesitancy. Dull company, particularly to Class I., but eminently estimable. Can be trusted to reasonable extent...

Author: NO WRITER ATTRIBUTED | Title: KNEMIDOLOGY. | 6/4/1875 | See Source »

Thus the student acquires a very desirable knowledge of the history and advancement of music in all its forms, as well as an insight into the moral effect which it has had over all ages. As a whole the course is a very enjoyable one, and cannot be too highly recommended to those who have a taste for music...

Author: NO WRITER ATTRIBUTED | Title: A WORD ABOUT MUSIC. | 5/21/1875 | See Source »

...first performance of the Hippokratistic, Hippokorustic Hippodrome, or Great Moral Show, was given last evening in the Theatre of Dionysus, on 43d Street, between 10th and 11th Avenues...

Author: NO WRITER ATTRIBUTED | Title: THE ATHENIAN HIPPODROME. | 5/21/1875 | See Source »

...this respect the artiste of France and his double of England or America are very different persons, for practical morals are never questioned here, nor have we different codes for different classes of society. But in essentials they are the same. The accident which changes a bourgeois into an artiste does not give him the social training, or, as the French call it, the savoir vivre, requisite of a gentleman, much less his delicacy of feeling. Wordsworth certainly was superior to bourgeois, but De Quincey might well be pardoned for denying the name of gentleman...

Author: NO WRITER ATTRIBUTED | Title: GENTILSHOMMES, BOURGEOIS, ARTISTES. | 2/26/1875 | See Source »

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