Word: mood
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...Hear the Bells" summons the ghosts of white-girl singers and the ultimate white-girl tribute song, Neil Sedaka's "Calendar Girl"; instead of the months counted off, we hear "Round One... Round Two..." The bluesy "It Takes Two" borrows the chord pattern from "Sea of Love" and the mood of Barbara Lynn's "You'll Lose a Good Thing" (a Waters favorite oldie, used in the movie). There's a black-girl-group uptempo number, "Welcome to the '60s," that echoes "Heat Wave" and other Martha and the Vandellas tunes...
...think you really understand the minds and souls of Marilyn Manson and Rolling Stones guitarist Ronnie Wood. Then take TIME's Name That Rocker-Painter Quiz! If you can figure out which rock star did which painting on the basis of subject, mood and overall aesthetic, then, dude, you are really feeling the music. One of these is a Wood canvas, on sale for $95,000 at New York City's Pop International Gallery, which opened a showing of Wood's work last week. The other is a Manson original, on display at Los Angeles Contemporary Exhibitions. Wood considers himself...
...attack to her uncomprehending village school kids. Sean Penn helmed the Manhattan segment in which an old man (Ernest Borgnine), grieving over his wife's death, gets the blessing of sunlight in his dark apartment - because the World Trade Center towers no longer block the light. Still, the dominant mood in 11'09"01 is finger pointing. Several of the pieces - set in Chile (Ken Loach), Israel (Amos Gitai), Bosnia (Danis Tanovic) - make a single hectoring, helpful point: our countries have suffered atrocities for years, decades, centuries; welcome to the club, America. Egypt's Youssef Chahine argues that Islamic militants...
...emasculating plenty of bourgeois life, all that stuff you can buy--it still sends him into an angry funk. In his new book he is also consumed by a world burdened with radio personalities, invasive kudzu, tormented anchovies and boring, phony jobs. There are writers who have a signature mood. What Palahniuk has is a signature posture: recoil...
...Still, the dominant mood in 11'09"01 is finger-pointing. The contribution by India's Mira Nair documents the agony of a Muslim boy in Brooklyn accused of conspiring with terrorists when he had actually gone to ground zero in a rescue effort. Several of the pieces?set in Chile (Ken Loach), Israel (Amos Gitai), Bosnia (Danis Tanovic)?make a single hectoring, helpful point: our countries have suffered atrocities for years, decades, centuries; welcome to the club, America. Egypt's Youssef Chahine argues that Islamic militants have the right to kill civilians in the U.S. and Israel because these...