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...fact, word had got around that the San Francisco Symphony Orchestra was giving a tombola (lottery) party to honor beloved old (74 next week) Conductor Pierre Monteux-and incidentally to raise a little extra money for the orchestra's contingency fund. Seven thousand San Francisco music lovers filed in and expectantly awaited the guest of honor...

Author: /time Magazine | Title: Music: Tombola Night | 4/4/1949 | See Source »

...Circus Horse. Sharp at 8:45 p.m., his shoe-button eyes twinkling and his walrus mustache abristle, Monteux bounced in the front door. He dodged around a full-sized replica of a cable car, wheeled down the main aisle between two rows of beaming debutantes. The San Francisco Chronicle's Critic Alfred Frankenstein reported he "marched embar-rassedly." Said wife Doris Monteux, 54, who does most of Pierre's talking: "Embarrassedly, my eye . . . He's just like an old circus horse. He's awfully sophisticated, but awfully innocent...

Author: /time Magazine | Title: Music: Tombola Night | 4/4/1949 | See Source »

...with the New York Philharmonic-Symphony under Bruno Walter last season), Kathleen finds she has little time now for anything but singing. After her U.S. tour there are two other big engagements on her schedule: 1) Amsterdam, where she will sing Orfeo again with San Francisco's Pierre Monteux conducting, 2) the Edinburgh Festival, where her old coach, Bruno Walter, has promised to be at the piano to accompany her recital...

Author: /time Magazine | Title: Music: English Orfeo | 3/14/1949 | See Source »

...world's finest violists. Now 73, he hadn't played in public concert for nearly 40 years, but he had kept in practice at his summer home in Maine, playing trios with his neighbors-one of them Violinist Tossy Spivakovsky. To prepare himself for his chamber concert, Monteux had practiced with the San Francisco String Quartet for two weeks, while also getting his orchestra ready for its first concert of the season...

Author: /time Magazine | Title: Music: No Frowning | 11/29/1948 | See Source »

...play a blue note, I'll frown at the other musicians the way I do when I conduct. Then people won't know I was the one who made the mistake." As it turned out, no one had to frown, least of all "Papa" Monteux. Said he, when it was all over: "There's nothing like that. A quartet is the most pure music-just pure, pure, pure. It's not all messed up with orchestrations...

Author: /time Magazine | Title: Music: No Frowning | 11/29/1948 | See Source »

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