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Word: monstering (lookup in dictionary) (lookup stats)
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Just as offbeat, but with a U.S. setting, though it might be anywhere, is Oscar Tarcov's first novel, Bravo My Monster (Regnery). Tarcov is no Franz Kafka, his obvious master, but his symbol-laden story of a man imprisoned in his own home by a monster generates high tension...

Author: /time Magazine | Title: Books: The September Glut | 9/21/1953 | See Source »

Restoration. Firm in this faith, Roman Catholic Adenauer has led his conquered nation, which had been both monster and 'genius, insane destroyer and industrious creator, back into the society of free nations. This is his greatest claim on the German electorate...

Author: /time Magazine | Title: GERMANY: Ja or Nein | 8/31/1953 | See Source »

Verona was unwilling to leave it at that. Last week it staged a monster Trovatore, with mass movements akin to wheeling infantry; for this week, it was preparing a third Verdi epic, La Forza del Destino. Director Pabst was keeping his operation plans top secret, but Veronese had high hopes. Last time he worked on Forza (in Florence last spring), only the last-minute protests of the scandalized opera management kept him from bringing the Act III battle scenes up to date with armored cars and tanks...

Author: /time Magazine | Title: Music: Pabst's Blue Ribbon | 8/10/1953 | See Source »

From Here to Eternity (Columbia). Making novels into movies-turning the rambling equations of a story into the compact formula of drama-is a task perhaps fitter for some electronic calculating monster than for any human talent. That may explain why Hollywood, whose talent is all too human, has never developed a sure touch in these translations. Columbia's success in bringing James Jones's bestselling novel to the screen may be due partly to the fact that it was hardly a novel at all; it was an obscene, extravagant blot of ink, pressed between covers into something...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 10, 1953 | 8/10/1953 | See Source »

...plays it straight from Little Italy. And Ernest Borgnine is a Fatso hard to forget. He can smile and smile and be a villain, in a way to make the audience realize that it is in the presence of that perhaps not rarest of humankind, the perfectly normal monster...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 10, 1953 | 8/10/1953 | See Source »

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