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"Most of my shows are feminist oriented. I feel an obligation to find good roles for women." --Molly Bishop

Author: By Liza M. Velazquez, | Title: Rewriting the Script | 10/4/1990 | See Source »

Molly Bishop, director of this season's production of The Tempest has cast a woman in the traditionally male role of Ariel, finding tat the political tensions in the play are interestingly transformed into sexual tensions. Most of my shows are feminist oriented," Bishop explains. "I feel an obligation to...

Author: By Liza M. Velazquez, | Title: Rewriting the Script | 10/4/1990 | See Source »

With time dwindling in the second half, Olken spun around from the left corner and looped a crossing pass into the crease. Weinstock bolted through the middle and kneed the squibbling cross by Wildcats goaltender Molly Krichner into the upper right-hand corner of the net.

Author: By Daniel L. Jacobowitz, | Title: Women Booters Fit To Be Tied | 9/19/1990 | See Source »

Comic artifice is better served in a static rendering of Dorothy Parker's Dusk Before Fireworks (directed by Ken Russell, adapted by Valerie Curtin). In the giddy days of bathtub gin -- much guzzling in all three stories, by the way -- the coitus of an aging rake (Peter Weller) and a...

Author: /time Magazine | Title: Video: Six Tales, Twice Told | 8/20/1990 | See Source »

The beautiful movie score by Maurice Jarre, a theme echoing the oldie on the jukebox, is the only romantic remnant amid the special effects and rubble. It makes us think that Molly and Sam are in love, and that, in the end, makes us endure the foolishness of their story...

Author: By Kelly A.E. Mason, | Title: Friendy Ghost is Spoof, Not Spook | 7/20/1990 | See Source »

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