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Originally the precursor to the modern museum, cabinets of curiosities or wonder rooms displayed a hodge-podge of objects that drew from domains as diverse as natural history, geology, archaeology, ethnography, and fine art. The British Museum, which opened in 1759 and was one of the first public museums, was construed from the very beginning as a “universal museum” with a collection that included art, applied art, archaeology, and anthropology...

Author: By Alexandra perloff-giles, CRIMSON STAFF WRITER | Title: Artifacts Take Their Rightful Place as Art | 3/30/2010 | See Source »

...student exhibition of book projects in the GSD library. While at the GSD, Muller also worked on graphic design for “Ecological Urbanism,” a collection of writings from Harvard professors and other design leaders about urban development and ecological planning in the modern...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: Deconstructing Design | 3/30/2010 | See Source »

...cultural movements is hard to do, as they are unfolding and moving from individual to collective manifestations. Lady Gaga’s “Telephone,” however, is the most popular cultural text by which we can begin a discourse on the portrait of the modern Hipster...

Author: By Zachariah P. Hughes | Title: A Revised Portrait of the Hipster | 3/30/2010 | See Source »

...modern Hipster has no set definition, consistent with its legitimacy as an active cultural trend. The one near-universal symptom of Hipsterdom is the scorn with which it is treated by those most associated with it—be they the NYU-educated bakers and bike-messengers of Brooklyn (non-locals), or the documentarians of the scene itself, bloggers, journalists, musicians, and other productive agents. The refusal to self-identify is almost as crucial a feature as this: The singular societal entity that does not loath the Hipster as a manifestation of narcissistic pretention is the multi-national corporation...

Author: By Zachariah P. Hughes | Title: A Revised Portrait of the Hipster | 3/30/2010 | See Source »

...title alone, “Hipster: The Dead End of Western Civilization,” leaves no doubts about the decided standpoint of the examiner. Too much is lost, however, by relegating Hipsterdom to bitter derision and resignation. It is also, I would argue, impossible to engage modern culture, popular and ‘counter,’ without recognizing prominent ideological and descriptive features marking the modern Hipster...

Author: By Zachariah P. Hughes | Title: A Revised Portrait of the Hipster | 3/30/2010 | See Source »

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