Word: modernizing
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Dates: during 1950-1959
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...Rubbish!" cried a voice from the audience. Gaitskell persisted: Nationalism is "only one means" to achieve a modern Labor Party's true end-building a classless society based on economic and social justice. "No, no," shouted some delegates. But Gaitskell urged that it was time to revise the party's 40-year-old constitutional pledge of "common ownership of the means of production," and work out "fundamental principles of British democratic socialism as we see them today-in 1959 and not 1918." Winding up a speech that won only an occasional scattered handclap, Gaitskell said: "I would rather...
...room behind the Speaker's chair at the House of Commons -rose to deliver a speech of flash and fire that paid affable tribute to Gaitskell but straddled the views of Gaitskell and Barbara Castle. Nye Bevan had his own view of the proper socialist future: "In a modern society it is impossible to get rational order by leaving things to private economic adventure. Because I am a socialist, I believe in national ownership. I believe in what Hugh Gaitskell said yesterday, because I don't believe in a monolithic society with public ownership of everything...
...wondered an admiring American. The next year Appel left Holland. Now, married to a Dutch model, sought after by collectors, he prospers mightily in Paris, has been accepted as an officer in good standing in the hierarchy of international expressionism. His work hangs in Manhattan's Museum of Modern Art. and last year UNESCO commissioned him to decorate the restaurant walls of its new Paris headquarters building...
Against such a background, Artist Whistler deserves more credit than he usually gets, Author Gregory believes. He sees Whistler as a proto-impressionist, as an early Western exponent of Japanese and Chinese techniques, and as the experimental godfather of modern nonobjective painting. Less debatably, Author Gregory ranks Whistler as a culture hero who refused to play drawing-room jester to Victorian philistines and who always regarded art as a basic necessity, not a superficial luxury of civilized life...
President Eisenhower's modern version of the Tale of the Arabian Nights, while mercifully only 19 days long, bears all too unfortunate resemblance to the original. At a time when the West is in vital need of specific policies and concrete leadership, he is playing the role of Scheherazade, spinning fanciful words in the hope that if the West can only keep talking long enough the essential problems will be somehow eroded away in a new spirit of Geneva, or Camp David, or perhaps Kabul. Khrushchev's memory, however, is likely to be better than that of the Sultan Schahriar...