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...Greek plot is of course in many ways essentially different from that of an English plot, and for this reason it is difficult to draw comparisons. Comparisons in fact are unnecessary. It is enough that a tragedy of a Greek master should retain so much interest for a modern audience as the Electra has shown itself to retain. The fact certainly is worthy of reflection...

Author: NO WRITER ATTRIBUTED | Title: The Electra. | 5/2/1889 | See Source »

Professor Henry A. Rowland of Johns Hopkins university, will lecture next Friday at the Jefferson Physical Laboratory on Modern views in relation to the electrical current...

Author: NO WRITER ATTRIBUTED | Title: Fact and Rumor. | 5/1/1889 | See Source »

...value of modern ships of war is doubtful:- Edinburgh Review, vol. 162, p. 234. (a) They have not been tested in any great naval engagement:- Porter in North American Review, January and February, 1889; (b) they are constantly being rendered useless by new inventions:- Forum, vol., 6, p. 370; Lippincott's, vol. 29, p. 346; (c) other means of warfare would be more serviceable to the United States:- Porter, North American Review for February, 1889, p. 213; Speech of Ingalls, Congressional Record, vol. 18, p. 108; speech of King, Congressional Record...

Author: NO WRITER ATTRIBUTED | Title: English 6. | 4/26/1889 | See Source »

...half-holiday, and at the conclusion of the matinee witnessed by them, they gave loud calls for the author. In the Boston production at the Hollis Street Theatre, there will be shown as perfect a reproduction of the ancient Greek theatre of Sophocles time as is possible on a modern stage. Yet under Mr. David Belasco's stage management, the "Electra" will have a complete theatrical finish, with a thoroughness of stage effects, lights, casting and ensemble never before attempted in a classic play. The music and choral movements are as near to the Greek models as possible. The latter...

Author: NO WRITER ATTRIBUTED | Title: The "Electra" of Sophocles. | 4/24/1889 | See Source »

...acted. In should be mentioned that in addition to the principal actors, "mute persons" could be brought on the stage. On account of their wearing masks, the actors could not use facial expressions, but relied utterly upon action to enforce the meaning. The costuming lacked the variety of the modern stage. The dress of the tragic actor was always the same, and in comedy there was not much more variety...

Author: NO WRITER ATTRIBUTED | Title: Professor White's Second Lecture. | 4/20/1889 | See Source »

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