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...matter what school of painting happened to be ascendant in the U.S. during the postwar years, a small number of good painters continued to paint realistically. In most cases, their canvases reflected the prevailing mode. When abstract expressionism was in its heyday, such figurative painters as the late David Park and Richard Diebenkorn employed the smeary technique and turbulent palette commonly associated with Pollock and De Kooning. In the current era of cool, disengaged pop and hard-edge abstraction, a hardy band of realists has developed a cool, precise, in fact almost surgical style...

Author: /time Magazine | Title: Painting: Return to the Challenge | 1/12/1968 | See Source »

Abstraction is the dominant mode in the U.S. right now and accounts for approximately 50% of the paintings at the Whitney. How varied nonobjectiveness can be is illustrated by the op grids of Cleveland's Julian Stanczak as well as by the empty canvas of Manhattan Minimalist Robert Mangold, and the sheet of lacquered aluminum from Los Angeles' Billy Al Bengston (representative of what one Whitney curator dubbed California's "finish fetish"). But abstraction as an end in itself is on the wane. Artists everywhere are tending to combine it with figurative elements, or give their abstractions...

Author: /time Magazine | Title: Art: Neck & Neck | 12/22/1967 | See Source »

Cieslik's mode of questioning is the essence of the discovery approach to science (TIME, Dec. 16, 1966), in which Socratic discussion led by a teacher forces students to hit upon conclusions of their own. Although now widely used in U.S. high school physics, biology and earth-science courses, and heartily endorsed by university-based educational theorists, the method has-perhaps inevitably-come up against the same kind of hostility that faces many another academic reform. In varying degrees, the discovery approach has become a problem for teachers, parents and students alike...

Author: /time Magazine | Title: Teaching: Pain & Progress in Discovery | 12/8/1967 | See Source »

...down from a handful of wealthy and conservative women whose clothes were made to order by entrenched French designers. Being chic was the objective, but always in a dignified and ladylike way. Now youth is in command, and it is the college and young career girls who make the mode. What Actress Julie Christie wears has more real impact on fashion than all the clothes of the Ten Best-Dressed Women combined...

Author: /time Magazine | Title: Fashion: Up, Up & Away | 12/1/1967 | See Source »

...current exhibition at the Museum of Fine Arts, "Art Treasures of Turkey," is a remarkably heterogeneous collection of 282 pieces done in Anatolia from 6000 B.C. through the sixteenth century A.D. It clearly illustrates the influence of civilizations on one another, the changes in style of a major mode caught in a peripheral age, and the exuberant flourishing of native Turkish...

Author: By Barth Schwartz, | Title: Art Treasures of Turkey | 12/1/1967 | See Source »

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