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While most of the company's plays offer criticism of the contemporary morass they see about them in America today, the Pagcant Players seek also, in their mode of theatrical presentation and the public affirmation of their collective lifestyle, an alternative system of joyous human inter-relationships-a "pageantry" of life. Says Nadine Hack, a new member of the group, "We will dance and make music and fight and make love and make the revolution...

Author: NO WRITER ATTRIBUTED | Title: Drama | 4/10/1970 | See Source »

...political radicalism of the Pageant Players, a guerrilla theatre company that performs in the streets of New York City, will appeal to large part of the Harvard population regardless of their dramatic interest-for the troupe has pioneered a new mode of theatrical presentation-while those more closely attuned to the proscenium stage may enjoy the opportunity to hear playwrights Charles Gordone (No Place To Be Somebody), Arthur Kopit (Indians), and Lillian Hellman (Toys in the Attic), or Village Voice Drama Critic John Lahr discuss their work...

Author: NO WRITER ATTRIBUTED | Title: Drama, Speakers, Film, Man-of-the-Year, Art, Literature, Sports, Music-Springtime! | 4/10/1970 | See Source »

...film's phenomenology of sensation applies to the objects Why notices as well as the mode in which she perceives them. Poison daggers, animals' heads, all the exotic furnishings of Frederique's house in St. Tropez assume an irrational importance because Why, like a child, has an experience limited to that home. The content and mode of her experience dictate. like the phenomenology of voyeurism in L'Oeil du Malin and the phenomenology of emotion in La Femme Infidele. the actions of the protagonist...

Author: By Mire Prokosch, | Title: The Moviegoer Les Biches | 3/20/1970 | See Source »

...still pleasant enough, and by the end irrelevant to the serious events the film shows. It is, however, this irrelevance that puts him beyond hope of improvement. Nothing affects him; he seems attached to nobody. The disjointed, loosely shot times and places through which the film wanders represent his mode of experiencing...

Author: By Mike Prokosch, | Title: The Moviegoer Topaz at the Harvard Square through tomorrow | 3/16/1970 | See Source »

Like American jazz, the Hindustani music of India is improvisational. The raga is the mode or theme on which the performer improvises spontaneously, developing 95 per cent of the piece originally. It is an unwritten, oral tradition that has been handed down through the generations since about...

Author: By David Sellinger, | Title: Raga Mirza in Concert | 3/4/1970 | See Source »

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