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Nancy à la Mode...

Author: /time Magazine | Title: Letters: Mar. 29, 1982 | 3/29/1982 | See Source »

When wife Tekla (Jody Barrett), replaces Gustav as Adolf's antagonist the mode of combat shifts. The actors battle through a veneer of lover's games, but they bring out the levels of manipulation and resentment behind the tenderness...

Author: By Michael Hasselmo, | Title: Charged Strindberg | 3/18/1982 | See Source »

...weary, dying fall of Eliot's poems. Always in Pinter, the dialogue is the drama, and it follows a threefold pattern. The source of the first is his fondness for vaudeville, a predilection he shares with Samuel Beckett, a playwright Pinter vastly admires. The second is the inquisitorial mode: a character is grilled, mocked and menaced. The third is the puncturing of rote responses to reveal emotional vacuity. When Lamb asks Miss Cutts how she gets on with Roote, she replies, "Oh, such a charming person. So genuine." When he later asks her what Gibbs is like, she parrots...

Author: /time Magazine | Title: Theater: Primal Pinter | 3/15/1982 | See Source »

Nevertheless, the university, located in Durham, N.C., would still seek to obtain the archives, McDonald said, adding that pursuit has been relegated to a "passive mode...

Author: By Compiled FROM College newspapers, | Title: Duke Postponing Aggressive Pursuit Of Nixon Library | 3/6/1982 | See Source »

...Certainly Pollock scorned decor. He was not interested in painted hedonism; and yet his practice of painting "all over"-by covering an entire field with incidents that were not arranged in hierarchies of size or emphasis-became, in a stupefied way, the basis of the ornamental "pattern and decoration" mode that came out of SoHo in the late...

Author: /time Magazine | Title: Art: An American Legend in Paris | 2/1/1982 | See Source »

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