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...critics across the country. The Moon Show rolled into M. I. T. last Sunday a few months ahead of its 1970 deadline. It has three components: a small sample of lunar dust collected by the Apollo 11 astronauts, a series of films on space exploration, and some full-scale mock-ups of space hardware. Wavne V. Anderson, chairman of M. I. T.'s Committee on Visual Arts helped design the show to restore "the tradition of imagination and fancy that nurtured the technological achievement" of man's leap into space. If the visitor can ignore for a moment the debate...

Author: By Mark W. Oberle, | Title: The Moonviewer Lunar Dust | 10/1/1969 | See Source »

...Carol & Ted & Alice is a sniggering Hollywood send-up of infidelity, wife-swapping and other variations on the theme of modern marriage. For Writers Paul Mazursky (who also directed) and Larry Tucker (who produced), satire is more often a matter of condescension than wit. These swimming-pool Swifts smugly mock a situation that they simultaneously exploit. Bob (Robert Gulp) is a documentary-film maker who, after telling his wife Carol (Natalie Wood) that he has had a casual affair with another woman, listens with surprised gratification as she begs, "Let me hear about it again. I feel closer...

Author: /time Magazine | Title: Festivals: Distributors' Showcase | 9/26/1969 | See Source »

...Barcelona pavilion, he designed his own tables, stools and chairs in leather, steel and glass-which have since become classics in themselves. For Manhattan's Seagram Building, in its muted bronze and pink-glass majesty the country's most handsome office building, he had a mock-up made of the bronze mullions that hold the vertical windows in place. They are H-shaped in cross section, and Mies elaborately studied the dimensions of their outer edge for the shadow line it would cast on the enclosed windows and how it would relate to the whole 38-floor-high...

Author: /time Magazine | Title: Art: Mies van der Rohe: Disciplinarian for a Confused Age | 8/29/1969 | See Source »

...subverts his authority and takes him to the entertainment district that night. Here huge shadows and trap-like streets, in the finest tradition of German Expressionism, stress his fears of this setting, fears augmented inside Dietrich's dressing room by a clown and a "professor" of magic who implicitly mock Jannings' position. The impingement of settings and objects on Jannings' security climaxes in a song sequence where Jannings seated in a theater box, is distracted by a ship's nude figurehead and other sexual objects. But his attention is captured by the true embodiment of these themes, namely Dietrich...

Author: By Mike Prokosch, AT THE ORSON WELLES A 3 THROUGH 5 | Title: The Blue Angel | 8/1/1969 | See Source »

...narration puts this post-card Brazil into perspective, reciting figures on the present-day poverty of the Brazilian people, on the history of foreign profiteering. The Old and the New are but emblems of successive ruling classes, the monuments they built to themselves and their success, leering gargoyles that mock the masses...

Author: By Joel Haycock>, AT THE ORSON WELLES AUGUST 3 THROUGH 5 | Title: Tropici | 8/1/1969 | See Source »

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