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Word: mirrors (lookup in dictionary) (lookup stats)
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...MIRROR OF AMERICA...

Author: /time Magazine | Title: Television: May 9, 1969 | 5/9/1969 | See Source »

Such native stylistic ploys, like poetry, suffer dreadfully even in the best of translations, and this one, by Barbara Bray, is much too stiff-lipped, too unbendingly British. Ultimately, what does Le Clézio in, is his decision to mirror his Life-is-shapeless-and-meaningless view in its own terms. All arbitrary mood and no movement can't help making for a dull book. "Nothing is necessary any more," concludes the non-hero cryptically as he is being buried. "But neither is anything unnecessary." That phlegmatic formulation ought to come as some sort of wan, stoical triumph...

Author: /time Magazine | Title: Books: Bugged Vegetable | 4/25/1969 | See Source »

...statue in Volski's garden next to which Fyodor stands looking up at Olga); and in these ways subtly influence and define people's appearances and actions. Here, however, the influence is one-way. People cannot change objects as they can change other people; objects resemble in order to mirror, to comment. Sirk's characters react at crucial moments against this unchangeability-with-mockery by smashing object (Fyodor's violin). But they can only destroy them--never shape their surroundings to themselves. Indeed, as characters are worn down by frustration of their wishes and tensions between contrary desires, objects come...

Author: By Mike Prokosch, | Title: Summer Storm | 4/24/1969 | See Source »

...sentences. Any modern dancer today owes practically his whole range of action to her pioneering. More important, Martha Graham incorporated that vocabulary of movement into a series of dances that leave an audience both stunned and baffled, touched and terrified by the power of motion to create a mirror of the human psyche. Says Teacher-Choreographer Jeff Duncan: "Graham's meaning to today's dancer is that she gave him an awareness of the power and mystery that lies in the human body...

Author: /time Magazine | Title: Choreographers: From A to B to Z | 4/18/1969 | See Source »

After William Butler Yeats met Oscar Wilde, he wrote: "I never before heard a man talking sentences as if he had written them all overnight." Barnes is Wilde's mirror image. His written work reads as if he had just spoken it. The criticism, the speeches, the conversation tumble out with blithe facility as if on a reel of four-track tape. One wonders whether there will be an end to it: it seems unbelievable that there was a beginning...

Author: /time Magazine | Title: Critics: Overachiever | 4/11/1969 | See Source »

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