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Word: mirrors (lookup in dictionary) (lookup stats)
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...Davis original "All Blues," which, like "So What," begins with Carter eloquently stating the theme before the other musicians fall in behind him. Roney here sounds like a dead ringer for Miles, and everything about this song is amazing. Roney's confidence, Shorter's finally effective and haunting mirror, and Carter, Hancock and Williams pushing and pushing on make it hard for the listener to feel anything but blessed that these five very talented musicians decided to pay tribute to a true source of inspiration...

Author: By Seth Mnookin, | Title: Of Tango, Bluegrass, and surf Music... | 4/7/1994 | See Source »

...intricate plot line. The dialogue and the camera delve into the personalities of Michel and Patricia, giving us a close look at two intense characters. The audience sees every aspect of them-which was undoudtedly shocking in 1960. One scene shows, Patricia making faces at herself in the mirror, as if no one's watching her. In another, Michel and Patricia are in bed together, talking about...

Author: By Tara B. Reddy, | Title: Pantingly Passionate | 4/7/1994 | See Source »

Though he claims to chafe when his competitors make cracks about his "rug merchant" bargaining methods and his "Mediterranean" temperament, Hayek nonetheless displays what he describes as "an exaggerated amount of self- confidence. I want to look in my mirror every morning and say, 'You're great.' " His strength as a businessman, Hayek says, is that he has retained "the fantasy of a six-year-old child. If you can keep and use the curiosity of a child, you can only improve everything around you." He describes his talent as being able to spot new ways of selling "emotional" products...

Author: /time Magazine | Title: A Car, a Watch? Swatchmobile! | 3/28/1994 | See Source »

...seriousness and intelligence of its programs and the fact that the ensemble comes first. While Baryshnikov may have solos, he appears in other dances -- Signals, Lilies -- in small roles. The audience leaves feeling that it has had a revealing glimpse into modern dance, not into a superstar's mirror...

Author: /time Magazine | Title: DANCE: Thoroughly Modern Misha | 3/14/1994 | See Source »

Throughout the album, McLachlan relies on the instrumentals of Pierre Marchand as the other main component evident on "Ice," where Marchand's bass and the saxophone of Michel Dubeau play mirror to McLachlan's voice. Marchand's support is also key on "Elsewhere," a beautiful declaration of the power of love, with the line "I believe this is heaven to no one else but me" multi-tracked over McLachlan's own vocal harmonies, guitars and piano. It is Marchand who adds the synthesizer and drum machines that round out McLachlan's sound, giving her the freedom to engage...

Author: By Diane E. Levitan, | Title: Ecstatic Fumbling | 3/10/1994 | See Source »

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