Word: mirroring
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Dates: during 1960-1969
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Such native stylistic ploys, like poetry, suffer dreadfully even in the best of translations, and this one, by Barbara Bray, is much too stiff-lipped, too unbendingly British. Ultimately, what does Le Clézio in, is his decision to mirror his Life-is-shapeless-and-meaningless view in its own terms. All arbitrary mood and no movement can't help making for a dull book. "Nothing is necessary any more," concludes the non-hero cryptically as he is being buried. "But neither is anything unnecessary." That phlegmatic formulation ought to come as some sort of wan, stoical triumph...
...statue in Volski's garden next to which Fyodor stands looking up at Olga); and in these ways subtly influence and define people's appearances and actions. Here, however, the influence is one-way. People cannot change objects as they can change other people; objects resemble in order to mirror, to comment. Sirk's characters react at crucial moments against this unchangeability-with-mockery by smashing object (Fyodor's violin). But they can only destroy them--never shape their surroundings to themselves. Indeed, as characters are worn down by frustration of their wishes and tensions between contrary desires, objects come...
...sentences. Any modern dancer today owes practically his whole range of action to her pioneering. More important, Martha Graham incorporated that vocabulary of movement into a series of dances that leave an audience both stunned and baffled, touched and terrified by the power of motion to create a mirror of the human psyche. Says Teacher-Choreographer Jeff Duncan: "Graham's meaning to today's dancer is that she gave him an awareness of the power and mystery that lies in the human body...
After William Butler Yeats met Oscar Wilde, he wrote: "I never before heard a man talking sentences as if he had written them all overnight." Barnes is Wilde's mirror image. His written work reads as if he had just spoken it. The criticism, the speeches, the conversation tumble out with blithe facility as if on a reel of four-track tape. One wonders whether there will be an end to it: it seems unbelievable that there was a beginning...
...defense with their testimony (see BEHAVIOR). After two more psychologists declared that Sirhan suffers from grave mental disorders, avuncular Attorney Grant Cooper rested for the defense. And though a handwriting expert called by the prosecution saw no evidence that Sirhan's diary had been written under the mirror's hypnotic influence, even the star rebuttal witness, Psychiatrist Seymour Pollack, told of the assassin's "paranoid personality." Pollack, however, asserted that the assassination of Kennedy was "triggered by political reasons with which he [Sirhan] was highly emotionally charged." Altogether, as the trial enters its final stages this week...