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John Conklin's set (inspired by sketches by the late Rudolf Heinrich for Santa Fe's U.S. premiere of the shorter Lulu in 1963) captures the work's heartless, hypocritical milieu with a doorway here, a sofa or a plant there. All is gelid grays and greens except for the lurid red of Lulu's dress and wig. The stage is framed by two skeletal, metallic walls that recede almost to a vanishing point. In the final scene, when Lulu has ended up as a prostitute in a London attic, the walls suggest the street below...

Author: /time Magazine | Title: Music: Lulu Arrives in Full Dress | 8/13/1979 | See Source »

...Quaid, Daniel Stern and Jackie Earle Haley), all clearly defined by Writer Tesich and well played by the young actors. The kids' style of hanging out-their scrapes, gags and their frustrations-is observed with a tart affection and a truthfulness that are very refreshing. So is their milieu. The boys are townies, called "cutters," because people of their class have traditionally worked in the nearby limestone quarries in Bloomington, where Indiana University is located. The resentment the cutters feel for the fraternity kids, whose smooth manners symbolize the smoothness of the ride they may anticipate through life...

Author: /time Magazine | Title: Cinema: Cutups | 7/30/1979 | See Source »

Chardin's prolonged meditation on brown crockery and the spiky fur of dead hares took place in the midst of an efflorescence of luxury art-pink bodies, swirling fronds of gold ornament, rinsed allegorical skies: the rococo style. It pervaded his milieu, and he did not despise it; but it was alien to his temperament...

Author: /time Magazine | Title: Art: Sonneteer of a World at Rest | 6/25/1979 | See Source »

Philip Levine's poems vibrate between the down but not out and the out but not down. His speakers are guerrillas, trapped in an endless battle long after the war has been lost. Their milieu is one of industrial detritus; they drift through the abandoned sets of grade-B thrillers...

Author: /time Magazine | Title: Books: Four Poets and Their Songs | 6/25/1979 | See Source »

...depth of field(except in one specific case), New York streets are clearly visible and constantly changing as the characters walk across the avenues or turn street corners: similarly, in interior sequences, moving characters are followed by the camera in close-ups (with the background exposed as an abstract milieu...

Author: By Vlada Petric, | Title: A Renaissance Of American Film Comedy | 6/25/1979 | See Source »

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