Word: milan
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Prima Donna Maria Callas, past mistress of the grand operatic exit, did it again last week. After her closing performance in Bellini's Il Pirata, she stalked out of Milan's La Scala-for good, she said-and probably out of Italian opera as well. "I leave La Scala with deep pain," she said. "It is no longer compatible with my dignity as a woman and an artist...
...governed Italy since the war. The little man's big ambition: at 50, to become Premier of Italy. In pursuit of his dream, Fanfani popped up last week on the cobblestones of Palermo, in the sunny piazzas of a dozen southern farm towns, in the shadows of Milan's cathedral, in the monarchist stronghold of Naples. Since campaign's start he had delivered 140 speeches, talked in melodious tones, with arms aflail, for more than 200 hours to crowds ranging from a few hundred to more than...
...Italy knew of Amintore Fanfani's ambition, Fanfani himself never once mentioned it. He appealed to crowds to "Vote for the Christian Democrats." never asked them to "Vote for Fanfani." Despite his organizing talent, the quick mind of a man who was formerly a professor of economics at Milan's Catholic University, and his years of ministerial experience in postwar governments, Fanfani has more enemies than friends among his own party's leadership...
Verdi was born of peasant stock near the town of Busseto in the Po Valley in 1813. When he was 18, the townsfolk sent him to Milan Conservatory, hoping that he could be trained to become Bus-seto's organist and orchestra director. But the conservatory examiners flunked Verdi; his talent for composition, they said, was "passable," but his pianoforte technique was ruined by "a faulty position of the hands and wrists." This "blow to all his pride and hope was so terrible" that Verdi never forgot, never forgave it. Helped by a friendly patron, he buckled down...
...fame of his later years. The words that appear in Verdi's last and perhaps greatest work, Falstaff-"Cammina! Cammina!" (keep going, keep going)-were already his maxim in his null and he kept going at the rate of more than an opera a year. Verdi hated Milan, hated the power of La Scala's management, hated "the rule of the foreigner and the secret police." But to "keep going." he pruned, cut and distorted "his rugged talent to suit the conditions of the time." With peasant toughness. Verdi awaited the day when he would call the tune...