Word: mia
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...breathe the new freedom; both have opted for the small apartment over the big house, the East over the West, Both feel that though there may be New York and New York, and Chicago and Chicago, there is only one Los Angeles. "I'm not connected with it," says Mia, who was born there. To Dustin, who was raised there, "there's this great emphasis on the external: the automobile you drive, the house you live in. The day The Graduate was finished shooting, I flew back to New York. I just couldn't wait to get back...
Together, Mia and Dustin represent a coincidence of other myths: the airborne colleen and the earthbound Jew, Peter Pan and Peter Schlemiel, the miserable winner and the happy loser. Like most myths, they contain an indissoluble grain of truth. Mia Farrow has been cowering from show-business success like a cornered rabbit. Hoffman has been swimming backward in it like a lobster. To Mia, life is colored with pastels and studded with magic stones; to Hoffman, it is a black-and-white documentary. She can skip down Manhattan's Third Avenue without creating a ripple. When Hoffman is recognized...
...distance between Mia and Dustin was apparent during the first few days of location shooting for John & Mary. Between interminable rehearsals and takes at an East Side "singles" eatery called Maxwell's Plum, Hoffman hied himself off to mumble inconsequentially with the bit players and extras clustered around the bar. Mia sat tensely at the table that was the focus of the sequence, fiddling with a fork, making conversation with two other actors, and once breaking into a high, put-on Southern accent. The few times that Hoffman lingered at the table to make a time-killing joke, he addressed...
...anti-way, heroic. But hardly atypical. For an actor, it is impossible to become a leading man until he has a face: that is his hardship. For an actress, it is possible to become a leading lady as soon as she has a body: that is her handicap. Mia Farrow's measurements are closely akin to a newel post's. "I look like an elephants' graveyard," she admits. Nevertheless, it is a body. The face is something else; the exquisite bone structure and the fine, flawless skin suggest an antique doll. But so do the faces of other girls...
...raises "Good morning" to the level of a state secret, took some of those particles and put them together in vaguely chronological order. In nearly every respect, Farrow began as Hoffman's polar opposite. He was outside show business with his nose pressed up against the window. In Hollywood, Mia was Old Money: her father was Director John Farrow, her mother Actress Maureen O'Sullivan. The third of seven children, Mia was always the vulnerable one. "I got all the diseases," she recalls, "including polio when I was nine. The whole family had to be evacuated, and all my things...