Word: metropolitan
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Dates: during 1930-1939
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...opera fans the first public appearance of a new soprano or tenor is as exciting as the trial spin of a new Class-J sloop is to yachtsmen. Last week Manhattan's debutasters trooped to the Metropolitan Opera House to size up the beam, rig and probable speed of two of the Metropolitan's brand-new singers. Chicago operagoers had already bravoed both of them long ago. But that was not enough for Manhattan. For every standee at the Metropolitan regards himself as a member of opera's supreme court, delights to reverse or qualify the opinions...
...with expert marksmanship, held onto them with the tenacity of garlic. When husky Baritone Tibbett vowed to avenge her worse-than-fatal fate, and threw her, pleading, to the ground, well-rounded Soprano Reggiani rolled like a well-aimed bowling ball, ended on her back, half way across the Metropolitan stage...
Debutasters rated both Tenor Laholm and Soprano Reggiani seaworthy, if not cup-defending, additions to the Metropolitan fleet...
Fortnight ago one of Manhattan's most fabulous characters, known to every reporter in town yet mentioned rarely and discreetly in the press, blew the lid off his own story by standing on his head at the Metropolitan Opera House. By so doing, in the midst of a brilliant host of spectators who had gathered to celebrate opera's seasonal opening, Richard Allen Knight became news...
...weekly broadcasts in Radio City's scientifically sound-deadened Studio 8-H pushes an audience of dowagers, politicians and musical who's who that tops the Metropolitan's opening nighters for mink and boiled shirts. Toscaniniacs come from far & wide. From Indianapolis...