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Meanwhile, successive editions of the Manhattan press printed fresh explanations by Dean Moore. Said he: "There's nothing wrong with the book. Matter of fact, it's on Metro-Goldwyn-Mayer's preferred list. . . . It's a sugar-coated study of a social scene. . . . When you write a book for young people, that is, for the general public, you like to make the titles rather interesting...

Author: /time Magazine | Title: Education: Sugar Coated Study | 11/7/1938 | See Source »

...Hollywood's eight major producing companies, gathered in the office of Tsar Will Hays for the most impressive powwow of cinema bigwigs in a decade. Present were: Barney Balaban (Paramount), Nate J. Blumberg (Universal), Harry Cohn, Jack Cohn (Columbia), Samuel Goldwyn, Maurice Silverstone (United Artists), Nicholas M. Schenck (Metro-Goldwyn-Mayer), Sidney R. Kent, Joseph M. Schenck (Twentieth Century-Fox), Leo Spitz (RKO Radio), Albert Warner, Harry M. Warner (Warner Bros.), Will H. Hays...

Author: /time Magazine | Title: Cinema: Items | 10/31/1938 | See Source »

Listen, Darling (Metro-Goldwyn-Mayer). Adolescent romance between Freddie Bartholomew, now 14½ and equipped with a changing voice, and Judy Garland, in a story by Katharine Brush...

Author: /time Magazine | Title: The New Pictures: New Pictures: Oct. 31, 1938 | 10/31/1938 | See Source »

Stablemates (Metro-GoIdwyn-Mayer) gives Wallace Beery a chance to duplicate, with a few trivial alterations, his famed role in The Champ (1931). In The Champ, Beery was a broken-down plug-ugly who achieved moral and physical regeneration through his desire to justify the adoration of little Jackie Cooper. In Stablemates, he is a dilapidated veterinary surgeon, restored to some degree of selfrespect by the grateful affection of Mickey Rooney and a race horse named Lady...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 17, 1938 | 10/17/1938 | See Source »

...Handle (Metro-Goldwyn-Mayer) is a brisk occupational comedy-melodrama investigating the hazards, practical and emotional, of the newsreel industry. As a guide to young men seeking a career that will combine adventure and desirable social contacts with high financial rewards, Too Hot to Handle can be dismissed as foolishly overenthusiastic. As entertainment-lavishly produced by Laurence Weingarten, compactly written by Laurence Stallings and John Lee Mahin, directed at breakneck speed by Jack Conway-it can be heartily recommended...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 26, 1938 | 9/26/1938 | See Source »

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