Word: metaphorical
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Dates: during 1950-1959
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...professed desire for liberalized trade. "In recent weeks, there have been a number of signs of backpedaling," he remarked carefully, a pointed reference to President Eisenhower's recent decision to allow a 50% rise in tariffs on imported bicycles. "Now should be the time surely to abandon the metaphor and speed of the velocipede and hope for a more up-to-date propulsion toward wider trade opportunities...
...their old age in rocking chairs and the stale tea of memory. Author White's notion that destiny plays with marked cards is scarcely fresh, but Stan and even Amy play the losing game with stubborn dignity, unlike their children. Author White is overfond of the eye-stopping metaphor ("She was brushed in sad gusts by the branches of the music"), but at his best, he makes long-suffering Stan at least as poignant as Markham's Man with the Hoe. Stan's mute wisdom is in knowing that endurance is all. Author White's literary...
Wotruba aims at metaphor, not visual likeness. Like most other modern sculptors, he has jettisoned the tradition that sculptors must turn out figures so lifelike that blood almost flows in the marble veins. Wotruba gets inspiration from the stone block itself. As a result, his figures are roughhewn, still bear the sculptor's chisel marks. And they remain emphatically stonelike, with a sense of the prehistory mystery which man has long attributed to curiously shaped boulders and strange stone outcroppings. This gives an awesome touch to Wotruba's figures, as effective in their blunt massiveness as the matchstick...
Shakespeare, when his blackest bile was running, could hardly match this image as a metaphor for existence-"As flies to wanton boys, are we to the gods; They kill us for their sport." With this image, with the back of his hand for any sense of purpose or significance in human life and in the world around it, Director Henri-Georges Clouzot (The Raven, Jenny Lamour) introduces a picture that is surely one of the most evil ever made, and yet, curiously, one that uses the approaches of religion. The Wages of Fear seeks out its epiphanies at the cold...
...Hecht had confined his autobiography to a personal record of such activities, it would have made more interesting reading. But he has padded it with feats of overblown metaphor ("My throat is sick with too much living, as if I had swallowed a long stove pipe") and bursts of gassy lamentation ("About those around me-hardly any have ever given me anything I could use as a human being -love, understanding or comfort"). A Child of the Century drives home the lesson that words and phrases are best kept short and plain-a fact Hecht might have learned from...