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Word: melodicizing (lookup in dictionary) (lookup stats)
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John Vanderslice sums up his musical range in just the first three songs of his latest full-length, and it goes something like this: melodramatically driven fuzzed-out faux-blues, electronic melodramatic pounding and piano ballads (melodramatic). On Cellar Door, Vanderslice combines and recombines these elements to find distinct directions...

Author: NO WRITER ATTRIBUTED | Title: NEWMUSIC | 2/13/2004 | See Source »

As visualized by artist Gary Baseman (whose illustrations have appeared in TIME) and voiced and sung by Nathan Lane, Spot is a creature of indefatigable show-biz sizzle. In this expansion of the Saturday-morning show, Spot follows his boy Leonard to Florida, where Spot means to submit to the...

Author: /time Magazine | Title: Movies: Best in Show | 2/2/2004 | See Source »

The real triumph of Taboo, however, is O'Dowd's music and lyrics, among the best I?ve heard on Broadway in the past few seasons. (With the exception of two old hits, Karma Chameleon and Do You Really Want to Hurt Me, all the songs are new.) The show...

Author: /time Magazine | Title: Rosie?s Bum Rap: In Defense of Taboo | 11/18/2003 | See Source »

But to understand Peaches musically is really not difficult. She takes bits and pieces from rock, electronica and hip-hop, and mixes them with a brazen, no-holds-barred sexuality. The result is song titles like “I Don’t Give A” and ?...

Author: By Crimson Staff, | Title: New Music | 11/14/2003 | See Source »

In terms of the piece itself, the Largo was particularly well-played, with the winds, brass, and strings producing a wonderful coherence; the cellos carried off the honors, with strong full tones that exploited the piece’s melodic qualities. The ending movement, Allegro con spirito, displayed excellent spiccato...

Author: By Mildred M. Yuan, | Title: Review: BachSoc’s Season Premiere a Success | 11/3/2003 | See Source »

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