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Stowell said yesterday that he was especially pleased with John McCulloh's performance because along with high jumping cohort Mel Embree the Crimson has one of the best one-two combinations in the East. McCulloh had been flirting with these heights all season and we knew all along he was capable of going that high...

Author: By James Cramer, | Title: Trackmen Blaze Past Passive Tigers | 4/22/1974 | See Source »

...PORTABLE PIONEER AND PRAIRIE SHOW by DAVID CHAMBERS and MEL MARVIN...

Author: /time Magazine | Title: The Theater: The Immigrants | 4/22/1974 | See Source »

...Theater, is much better than that. It is an honest, entertaining evocation of the lives and songs of some of the Swedish families that settled in Minnesota in the late 19th century. Singing families developed their own repertories of music and comedy. Two young New Yorkers, David Chambers and Mel Marvin, have researched the tradition of such troupes, studied their sheet music, old newspaper clippings, family photographs and journals, and distilled them into a modest Midwestern saga...

Author: /time Magazine | Title: The Theater: The Immigrants | 4/22/1974 | See Source »

...triple jump) should provide little competition for the Crimson's Vincent Vanderpool-Wallace (24 ft. and 50 ft.). The Tigers' pole vault and high jumping units do not boast of anything above 15 ft. and 6 ft. 7 in., so neither Blayne Heckel or Mel Embree has much to fear...

Author: By James J.cramer, | Title: Thinclads to Face Docile Tigers Today | 4/20/1974 | See Source »

...hard to take all that seriously the marginal artists whose work Alloway has selected. Their work may have this or that to do with signs, but on aesthetic grounds it varies between limpness and indulgent kitsch, typified by the show's California contingent, Joe Goode, Ed Ruscha and Mel Ramos...

Author: /time Magazine | Title: Art: The Instant Nostalgia of Pop | 4/15/1974 | See Source »

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