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...aspects of Pop that seem to have lasted best are the very characteristics of a work of art that Pop was supposed to have expelled -- namely, metaphor and a certain mystery? Hardly, and this only underscores the dangers of treating Pop art as though it were a homogeneous movement. Mel Ramos' waxen cutie leaning on a tire looks boring today, and the footnotes to Duchamp spun out by French Pop artists and members of the Fluxus group seem inert when they are not merely silly...

Author: /time Magazine | Title: Art: Wallowing in The Mass Media Sea | 10/28/1991 | See Source »

Tahoe and Aspen are overcrowded; Santa Fe is commercialized; when a mogul or a movie star wants to enjoy untainted American spaces, what's left? Try Montana. For members of the names-in-bold-print set, from Ted Turner to Tom Brokaw, from Dennis Quaid and Meg Ryan to Mel Gibson and Kiefer Sutherland, from Emilio Estevez and Charlie Sheen to Oakland A's owner Walter Haas, the Big Sky State has become the hottest of hideaways. Says Russ Francis, a former San Francisco 49er football star who recently joined the rush to Big Sky Country: "This is the last...

Author: /time Magazine | Title: Cattlemen Vs. Granola Bars | 9/30/1991 | See Source »

...draw: big-time country-music shows, enough to fill 24 theaters every afternoon and evening, with stars such as Mickey Gilley, Loretta Lynn, Conway Twitty, Mel Tillis and Reba McEntire, several of whom have moved to the area and own the theaters in which they perform. Nashville may still be the capital of country music, its recording and publishing hub, but Branson has become its Broadway. Says Mel Tillis (Heart Healer), who moved to Branson two years ago: "You go to Nashville, you see the stars' homes. You come to Branson, you see the stars...

Author: /time Magazine | Title: Country Music's New Mecca | 8/26/1991 | See Source »

...Mel Brooks' winning streak lasted through the '70s. But people are avoiding Brooks' Life Stinks, a kind of Homeless Alone about a billionaire on the bum, as if it were trying to wipe a rag across their windshield. Brooks' old colleague Gene Wilder has fared no better with Another You, in which he plays a compulsive liar coupled in a complex scam with con man Richard Pryor. On its second weekend of release, this mediocre jape averaged a pathetic $262 per screen; that's about 50 people in each theater all weekend. With those numbers, a moviemaker can go broke...

Author: /time Magazine | Title: Go Ahead. Make Me Laugh | 8/19/1991 | See Source »

...agents. It is hard to know which is more unsettling: the caught-in-the-act scenes of oily agents coddling clients over lunch and at the racetrack, or their considered explanations to the camera of what they do for a living. Ed Limato, who represents such stars as Mel Gibson and Richard Gere, talks about the joys of occasionally handling a newcomer, like actor James Wilder, whom he can teach "how to dress, who's important for him to know, who's not important for him to know." Another agent discusses the value of starting out in the mail room...

Author: /time Magazine | Title: Tribal Rites in Lotus Land . . . | 7/29/1991 | See Source »

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