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...will about the Internet and the wonders of multimedia. At the end of the day, most people still prefer to leave their brain at the office and morph themselves into couch potatoes--watching Michael Jordan dazzle opponents or Mel Gibson vanquish villains. In the battle for home- entertainment supremacy, the den is no match for the living room...

Author: /time Magazine | Title: THE HI-FI LIFE | 11/24/1997 | See Source »

...this simply a matter of artistic genre. While Pocahontas and Anastasia provide two of the most glaring cases in recent years, non-animated films, such as Mel Gibson's Braveheart or Kirk Douglas' classic Spartacus are strewn with the same sort of historical problems, if perhaps to a lesser degree. Notably, these movies are also, first and foremost, dramatic vehicles...

Author: By Adam J. Levitin, CRIMSON STAFF WRITER | Title: The Rape of Clio: Reconciling Art and History | 11/21/1997 | See Source »

...keep these little mites out of the mines, shall we? And if the McCaughey trust fund won't fork over for Don LaPre's tapes, the over-fertilized parents can turn to two true tales of family business: The Seven Little Foys (1955), which obviously got director Mel Shavelson the Fonda/Ball gig, or--need CP say it? The Sound of Music (1965). Eidelweiss, everyone, and happy viewing...

Author: /time Magazine | Title: Bringing Up Couch Potato | 11/21/1997 | See Source »

Carl Reiner just couldn't believe that Mel Brooks was 2000 years old. In the pair's famous 1960s comedy routine, "The Two-Thousand-Year-Old Man, Reiner observes incredulously, "Sir, you really don't look 2000." Undaunted, Brooks retorts, "Well, I take care of myself." Still not satisfied, Reiner demands that Brooks produce a birth certificate of some kind. Brooks answers, "We didn't have that then". Reiner prompts his subject, "So you were primitive." Nodding, Brooks elaborates, "We were primitive; we were atavistic; we were--what is the word I'm searching for--dumb...

Author: By Eric M. Nelson, | Title: Taking Nostradamus at His Word | 11/17/1997 | See Source »

...have yourself a nice thriller set up, with Wolfgang Petersen directing hot off Air Force One and no less than Mel Gibson in the starring role, when--oops!--Mel decides he'd rather go elsewhere to do a pet project called Parker and then cash in on a ton of money by making Lethal Weapon IV for Warner...

Author: /time Magazine | Title: SONY'S BLOCKBUSTER SEQUEL | 11/17/1997 | See Source »

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