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When Tuttle first began showing in the mid-1960s, he was usually understood as a minimalist. He made shaped wall reliefs and floor pieces, typically painted in a single color, or two or three adjoining forms, each a different color. They obeyed the minimalist law that art should be a...

Author: /time Magazine | Title: Art: The Man of Small Things | 7/10/2005 | See Source »

That kind of work gave Tuttle the insight crucial to his later career: that meaning could be achieved with the bare minimum of means. It paved the way for later pieces like New Mexico, New York #14, in which a looping form is superimposed on an irregular rectangle with a...

Author: /time Magazine | Title: Art: The Man of Small Things | 7/10/2005 | See Source »

What is it exactly that we see in Grant Wood's stern old farmer and the woman at his side with her strange, sidelong glance? Is this an image of enduring Midwestern probity or a satire of small-town small-mindedness? Wood, who recruited his 30-year-old sister and...

Author: /time Magazine | Title: Books: 5 History Books for the Beach | 7/10/2005 | See Source »

John Harvard might take offense at the suggestion that he only became a man in February of 2003, when Hillel sponsored his first bar mitzvah. Although the ceremony traditionally marks a young man or woman’s entry into Jewish adulthood—the bar mitzvah is the service...

Author: By Sara E. Polsky, CRIMSON STAFF WRITER | Title: Oppenheimer Searches for Religious Spirituality | 7/8/2005 | See Source »

According to Mark Oppenheimer, author of “Thirteen and a Day: The Bar and Bat Mitzvah Across America,” John Harvard’s bar mitzvah is not the only ceremony that focuses on the ensuing party. In fact, disappointed by the lack of religious meaning...

Author: By Sara E. Polsky, CRIMSON STAFF WRITER | Title: Oppenheimer Searches for Religious Spirituality | 7/8/2005 | See Source »

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