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...poor that he was forced to make up his classes privately, and was fined for “improper behavior” during services.JOHNSTON GATE AND THE GUARDHOUSEJohnston Gate was built in 1890 and is currently the oldest gate in Harvard Yard, designed by the New York firm McKim, Mead & White. The gate was the first Harvard structure built from what is now referred to as “Harvard brick,” used to ensure that the gate would resemble already extant eighteenth-century buildings in the Yard. The University requested that the gate, along with future buildings...

Author: By Synne D. Chapman, CRIMSON STAFF WRITER | Title: If These Halls Could Talk | 2/18/2009 | See Source »

...poor that he was forced to make up his classes privately, and was fined for “improper behavior” during services.Johnston Gate and the GuardhouseJohnston Gate was built in 1890 and is currently the oldest gate in Harvard Yard, designed by the New York firm McKim, Mead & White. The gate was the first Harvard structure built from what is now referred to as “Harvard brick,” used to ensure that the gate would resemble already extant eighteenth-century buildings in the Yard. The University requested that the gate, along with future buildings...

Author: By Synne D. Chapman, CRIMSON STAFF WRITER | Title: What You Didn't Know About the Yard | 2/18/2009 | See Source »

...name was ignored by everyone except a few elderly loyalists and some young art historians with a revisionist glint in their eyes. He had been dropped from the list, an act comparable to (though, happily, not as final as) the dismantling of that masterpiece of New York public architecture, McKim, Mead and White's Pennsylvania Station. However, work did survive, though unconsulted. Few visits were paid to his Shaw monument on Boston Common, the most intensely felt image of military commemoration ever made by an American; few Manhattanites bestowed more than a glance at his monuments to Admiral Farragut...

Author: /time Magazine | Title: Art: American Renaissance Man | 6/21/2005 | See Source »

...crude, grabbing Republic its lessons in symbolic deportment and visual elocution, and won its unstinted gratitude. If there was such a thing as the American Renaissance, then Saint-Gaudens embodied it in sculpture, as surely as the Roeblings did in engineering, Louis Comfort Tiffany in dcor or McKim, Mead and White in architecture. Today portrait sculpture is dead, and the photo opportunity reigns. But Saint-Gaudens lived in an age when sculpture was thought the supreme mode of official commemoration, and the types he created are still very much with us. Our iconic sense of Abraham Lincoln as statesman...

Author: /time Magazine | Title: Art: American Renaissance Man | 6/21/2005 | See Source »

McKenna, J.; Mandelstam, P.; Makinson, R. T.; Marlas, S. G.; Mann, W. W.; Mark, E. L.; Marks, D.; Marricott, McKim; Maslon, G. E.; Massey, M. M.; Meyers, R.; Miller, B. W.; Morgan, D. W. R., Jr.; Murphy...

Author: NO WRITER ATTRIBUTED | Title: NEW HOUSE MEMBERS | 4/22/2004 | See Source »

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