Word: mccabe
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Consider, for example, Altman's 1971 film, McCabe and Mrs. Miller. In one scene, a young, rangy, buck-toothed cowboy (Keith Carradine) who has just spent the night in McCabe's frontier whorehouse, starts across a footbridge to purchase supplies for his trip home. He is confronted by a young gunman, one of three sent by a business conglomerate to coerce McCabe into selling out. The gunman, blond, boyish, and innocent-looking, asks Carradine what kind of gun he has. Carradine tells him, sheepishly admitting that he really doesn't know how to use it. "Come...
...doubles. The tourney attracted over 100 entries...Finals of freshman basketball tourney slated for tomorrow at the IAB in a 7:30 tilt...Speaking of hoop, varsity hoop coach Frank McLaughlin hopes some lanky newcomers can fill the conter-forward void left by graduation. Six-foot, ten-inch Bobby McCabe from Tabor Academy, 6-7 Cave Coatesworth from Seattle, New Haven's Don Fleming (6-5) and North Dakota timberwood Kirk Mundy (6-7), look like promising freshman talent for the front-court...
...sacting career. He has not made artistic progress in his more recent films, seemingly surrendering to his press image as another pretty-faced glamour boy. The promise of his career as seen in his earlier, more substantial roles, in films like Splendour in the Grass, Bonnie and Clyde, McCabe and Mrs. Miller, and The Parallax View appears undeveloped in his more recent roles as George, the heartily-sexed hairdresser in Shampoo and as Joe Pendleton in this film...
After the Bonnie and Clyde hysteria died down, Beatty acted only occasionally. His single memorable performance was in Robert Altman's McCabe and Mrs. Miller (1971); it was also his first appearance opposite Julie Christie, who had been the most important woman in his life since...
...good news, for Beatty has evolved into an exceptional movie star. Once a moody, latter-day James Dean, he is now the wittiest of leading men. He brings eroticism to the screen, but not at the expense of sensitivity and self-effacing charm. At his best?especially in McCabe and Heaven Can Wait?his acting belies his looks; he makes the audience feel protective...