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Associate Producer Hulburd bought Hurricane for $60,000. In due time a friendly letter came from Authors Nordhoff & Hall. They were mightily pleased to know that he had bought their story, they said, because Metro-Goldwyn-Mayer had made such an admirable job of Mutiny on the Bounty. Samuel Goldwyn has never been connected with...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 15, 1937 | 11/15/1937 | See Source »

Conquest (Metro-Goldwyn-Mayer). For several years Greta Garbo has been toying with the notion of doing a screen play based on the love affair between Napoleon Bonaparte and Marie Countess Walewska of Poland. The notion was in the Hollywood tradition, for most producers like royal historical episodes for an important star. They give the star dignity. If dignity is its purpose, Conquest admirably succeeds. It moves with the fateful and august tread of history itself. Its huge, expensive panorama (running time: 2½ hours, cost: $2,000,000) embraces a quarter of a century and three-quarters of Europe...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 8, 1937 | 11/8/1937 | See Source »

...with last season's Room Service, which he sold to RKO Radio for $255,000. Room Service was a washed-up play property when unknown Playwrights John Murray & Allen Boretz brought it to Abbott. Sam Harris had tried it out in Philadelphia two years earlier with Metro-Goldwyn-Mayer money. It was a $23,000 flop; When the Harris option lapsed, Abbott looked at the script, felt warmly toward it because it was about Broadway, suggested a few changes. The authors condensed three scenes into one, picked a tag for it out of the second act, Abbott sent...

Author: /time Magazine | Title: Theatre: New Play in Manhattan: Nov. 1, 1937 | 11/1/1937 | See Source »

Live, Love and Learn (Metro-Goldwyn-Mayer) sends Robert Montgomery forth from a whimsical, penniless life in Manhattan's Washington Square section into battle against the stultifying wiles of Mammon. He is armed with artistic genius that "has something ostentatiously quiet about it," a facility with yellows unequaled since van Gogh and a respectable capacity for liquor. Mammon showers him with gold, distracts him with a nasty number named Lily, wins him from his garret with commissions to paint a portrait of Mrs. Colfax-Baxter, a study in oils of Mr. Palmiston's Derby winner, Blue Bolt. When...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 1, 1937 | 11/1/1937 | See Source »

...merry, typically Gallic approach to a theme similar to that of Maedchen in Uniform, Eight Girls in a Boat and other film treatments of repressed girlhood. Manhattan censors promptly spotted Sapphic overtones and more frankness than young girls ought,to show, ordered several cuts. Its U. S. sponsors, Arthur Mayer and Joseph Burstyn, gloomily anticipated even severer censorship in Pennsylvania, Ohio, Kansas...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 25, 1937 | 10/25/1937 | See Source »

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