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...only is the plot hackneyed, so are most of the characters, ranging from the affable old lady (that smiles benevolently throughout the whole movie like a catatonic overgrown Cabbage Patch doll) to the good natured town drunk/basketball maven, played by Dennis Hopper. While certainly a change from his role of homicidal maniac in Blue Velvet, Hopper's performance--though often rather forced--has easily the most depth of any in the movie. His controlled energy and powerful screen presence do much to stabilize the film...

Author: By David A. Shaywitz, | Title: Cinema Veritas | 2/27/1987 | See Source »

...like the deficit, or scattered their blasts, as in the commercial linking Reagan to the Rev. Jerry Falwell on half a dozen disparate issues. Unlike Reagan, with his "Leadership That's Working," Mondale had no slogan to give his campaign coherence. Said David Garth, a New York media maven: "I didn't know what the Mondale theme was . . . except 'Vote for Mondale-Ferraro.' " The Democrat's aides defended their approach as the more realistic. "We aren't running a Hollywood feel-good campaign," said Mondale Consultant Judy Press Brenner to Adweek. Toward...

Author: /time Magazine | Title: Packaging the Presidency | 11/12/1984 | See Source »

...says Dean K. Whitla, the University's survey maven: "The timing is unrelated to the results...

Author: NO WRITER ATTRIBUTED | Title: Sitting on a Survey | 10/27/1984 | See Source »

Well, no. The gremlins really are an army of latex-skinned puppets devised by Special Effects Maven Chris Walas (Piranha, Raiders of the Lost Ark) and assembled for a bargain-basement $1.3 million. (By contrast, Carlo Rambaldi's E.T. creature alone cost $1.5 million.) The greenish-brown monsters, standing 23 in. tall with their 10-in. bat ears, were controlled by hands, cables, rods, radio signals and a simple but effective method that Walas describes as "throw-'em-across-the-room puppetry." The most complicated gremlin had 60 cables operated by a dozen technicians standing...

Author: /time Magazine | Title: Cinema: Creature Comforts and Discomforts | 6/4/1984 | See Source »

They were produced by Washington-based Media Maven Ray Strother, a transplanted Louisianian whose previous clients include Democratic Senators Russell Long and Lloyd Bentsen. "I normally do traditional spots, but they would have looked too much like doing," what he the said "Our spots candidates had were to work harder." Each was tailored to a specific audience and strategically aired in time slots close to news, public affairs shows or popular prime-time series. All seven had a rat-a-tat rhythm that sent out an unmistakable message: Hart is a man on the move. "The spots are real, real...

Author: /time Magazine | Title: Playing Video Games | 3/12/1984 | See Source »

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