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...movie focusing on sexy teenagers in 1968 Paris who are obsessed with movies, sex and politics, in that order, from the director of Last Tango In Paris. The plot begins with Matthew (Leonardo DiCaprio look-alike Michael Pitt) encountering Isabelle (Eva Green) and Theo (Louis Garrel) at the protest of the closing of the French cinemathéque, the classic movie theater where these three cinephiles have spent many an afternoon. Soon, Matthew is invited to stay at Isabelle and Theo’s house while their parents are away. Movie-inspired sexual games ensue. One of the more interesting...

Author: By The Crimson Staff, THE CRIMSON STAFF | Title: Happenings | 3/12/2004 | See Source »

Undergraduate Council President Matthew W. Mahan ’05 said he was skeptical about the proposition because it limited student choice in forming blocking groups...

Author: By William C. Marra and Alan J. Tabak, CRIMSON STAFF WRITERSS | Title: Harvard Considers Yale-Style Housing | 3/12/2004 | See Source »

...This really is the civil rights issue of our generation,” Undergraduate Council President Matthew W. Mahan ’05 said. Mahan, who is not a member of BGLTSA but has demonstrated at both rallies, said that he supports full marriage rights for same-sex couples...

Author: By Michael M. Grynbaum, CRIMSON STAFF WRITER | Title: Marriage Ban Clears Hurdle | 3/12/2004 | See Source »

...will try to keep the ink spilt on 2004’s inexorable dreck to a minimum, but I must mention the worst-looking film of the year, The Whole Ten Yards, an inexplicable sequel to 2000’s marginally successful Matthew Perry/Bruce Willis buddy vehicle. The film’s preview features a mulleted, apron-donning Willis vacuuming in bunny slippers as he scolds Perry for touching his chickens. So many questions, so very little interest in the answers...

Author: By Ben B. Chung and Ben Soskin, CRIMSON STAFF WRITERSS | Title: Possible Sunshine in a Plotless Year | 3/12/2004 | See Source »

...Jesus’ torture and crucifixion. Aitken, who is also an Episcopal priest, believes this disputation is generally justified. “The movie distorts what the gospels are doing, from a scholarly and theological point of view,” says Aitken. She explains that four gospels, by Matthew, Mark, Luke and John, tell subtly differing accounts of the passion narrative, and that these four accounts were “by no means eye-witness accounts, or written at or near the time of Jesus’s death...

Author: By Annie M. Lowrey, CONTRIBUTING WRITER | Title: Passion with a Prof | 3/11/2004 | See Source »

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