Word: matt
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...side-ponytail styled Tom-Tom, constantly sporting bangle bracelets and acid wash denim, the self-titled “Six Chicks” have mastered both the complicated walk-while-chewing-gum combination and the snide remarks to Jenna and her road-less-traveled, slightly pudgy (read: loser) friend Matt. Jenna is, like, so not cool. Her only solace is to wish of a future circumscribed by her favorite magazine…a place and time when life is lived according to the motto “30, Flirty and Thriving...
...eyes during her boyfriend’s Vanilla Ice strip tease and scrunches her nose while blurting her signature catch phrase, “Oh, gross.” She cries about the near failure of her magazine to her parents and, more importantly to her old chum Matt (Mark Ruffalo), the friend who conveniently inhabits a Greenwich Village apartment around the block. Matt is no longer the loser boy-next-door, but a tanned, buff, hot-but-doesn’t-know-it-in-that-aw-shucks-way photographer. Insert Billy Joel’s ballad...
...Lucy does try to ruin Jenna’s career and chances with Matt, but Jenna prevails in all her genuinely young-at-heart, fluorescent glory in the end. Garner’s performance may lend itself to a Julia Roberts reference or two—both have the full-lipped, hearty laugh and smile perfectly complemented by a suitably charming on camera presence. Though the plot could have been written during a middle school sleepover, 13 is cute for cute’s sake—cuter than the recent teenage chick flick Win a Date With Tad Hamilton...
Sophomore Matt Brunnig—suffering from a sore right elbow—has struggled in his last two Ivy appearances, and may yield the mound to senior Jason Brown in Game 1. Brown earned a win with 5 2/3 solid innings in his only conference start of the season against the Lions, and has been impressive in two long-relief appearances in league play, posting a 2.77 ERA in 13 Ivy innings overall...
...much Muse music as I could. After going through 2001’s Origin of Symmetry breathlessly, I braced myself for disappointment from their new album, Absolution. But to my great shock, I’m not disappointed at all. Each track is pure Muse, the beautiful voice of Matt Bellamy flows over pounding piano chords and arpeggios, drums and fantastic bass rifts. “Sing for Absolution” is one of the best tracks. Its melancholic melody is woven with piano and bass to a stunning effect...