Word: mastering
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Dates: during 1980-1989
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...Adams House has always been popular. With an excellent location and a good sex ratio, we're extremely representative of the diverse student body," Robert J. Kiely, master of Adams House, said yesterday...
...creative humility. Side by Side in and of itself works by taking the opposite approach. The show is professional but low-key, and unpompous narrator Patrick Harris tells anecdotes from the lyricist's life (memorable things Sondheim said, stories from his youth, the tale of his early humiliation by master songwriter Oscar Hammerstein) and then carries over the casual tone into his introductions of the next few songs...
...York City-born lawyer and judge who won acclaim in 1947-48 as the meticulous chief prosecutor in the trial of Alfried Krupp and eleven other executives of the Krupp armaments empire at Nuremberg; of heart disease; in Washington, B.C. Kaufman, who later served as a special master for the U.S. court of appeals, prosecuted the defendants on grounds of "waging aggressive war" against Jews and other civilians. He settled for convictions on charges of plunder and slave labor and sentences of up to twelve years...
...granted that "movements" are more a dealer's spiel than a real feature of current art, there are still affinities among artists. What are the main ones here? To begin with, realist painting-but with a twist. The plain declarative style of tonal realism, whose American master is Philip Pearlstein, is hardly in evidence, although there are some exquisitely rendered pastel studies of gray, tumblng Midwestern skies by William Beckman at the Hirshhorn, and the Whitney has some beautifully observed images by William Bailey (still life) and Rackstraw Downes (panoramic landscape). The best figurative work at the Guggenheim...
...conveniently called, and some of it is very dumb indeed-but not all. One notable exception is the work of a precocious 25-year-old named Jedd Garet, whose paintings seem to take their stylistic base from, of all things, late De Chirico- not the pre-1918 master of tailor's dummies and spare, aching urban spaces, but the pompous neoclassicist of the '30s. Coarsely colored and drawn with a kind of savvy crudeness, Caret's Flaming Colossus, 1980, resembles nothing so much as a black squid with humanoid ambitions, silhouetted against a conventionally "apocalyptic" background...