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Colonel Woods after graduating from the University went to the University of Berlin for two semesters. On his return he became a master at Groton School where he taught for ten years. Between the years 1905 and 1907 he was a reporter on the "New York Evening Sun" and entered the lumber business in Mexico and later the cotton converting business in Boston...

Author: NO WRITER ATTRIBUTED | Title: COL. ARTHUR WOODS '92 UNION GUEST TONIGHT | 3/10/1920 | See Source »

...raises the question of how long that vital Harvard instituting will have to wait before being in a home of its own. How soon are we to have a Harvard Playhouse which will measure up to the one Yale has provided for her dramatic organizations? The Workshop should be master in a house of its own, rather than be obliged to oscillate between cramped quarters in Lower Massachusetts and an inadequate auditorium at Agassiz House for its final performances...

Author: NO WRITER ATTRIBUTED | Title: A HARVARD PLAYHOUSE. | 3/5/1920 | See Source »

...were given the degree of Master of Business Administration completed their work for this degree in the special term held last summer...

Author: NO WRITER ATTRIBUTED | Title: AWARD 308 MID-YEAR DEGREES | 3/1/1920 | See Source »

...German school there is a print by the Master E. S., the first great German engraver; several by Martin Schongauer, and six by Albrecht Durer. The Durer group includes a wonderful silvery impression of St. Jerome in his Cell, a fine impression of the enigmatical Melancholia, who still ponders as she has been doing for 400 years, and a superb Knight of Death. A drawing by Durer for a wood-cut adds especial interest to the little group of works by this great...

Author: NO WRITER ATTRIBUTED | Title: EARLY PRINTS AND DRAWINGS ON EXHIBIT AT FOGG MUSEUM | 2/19/1920 | See Source »

...Allart Claesz illustrate the art of engraving as it was practiced in the Netherlands in the early 16th century, and Dutch art in the fulness of its flowering is shown by a group of drawings and etchings by the 17th century painter and one of the world's greatest master etchers, Rembrandt. The pen-drawing of an old man shows how perfectly the great artist knew how to choose the significant line, omitting all that was not essential, and a wash drawing of Joseph in the Carpenter's Shop is a good illustration of his use of chiaroscuro...

Author: NO WRITER ATTRIBUTED | Title: EARLY PRINTS AND DRAWINGS ON EXHIBIT AT FOGG MUSEUM | 2/19/1920 | See Source »

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