Search Details

Word: mask (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Died. Marguerite De La Motte, 47, silent-film leading lady (Mark of Zorro, The Three Musketeers, The Iron Mask) to the late Douglas Fairbanks Sr.; of a cerebral hemorrhage; in San Francisco...

Author: /time Magazine | Title: Milestones, Mar. 20, 1950 | 3/20/1950 | See Source »

...these ludicrously underplayed dramatics. Miss Leighton's role is the only one with any conviction, and she ably makes the most of it. Wearing his hauteur like a mask and registering most emotions with his eyebrows, Coward almost qualifies for a Broadway revue sketch parodying Noel Coward. In more ways than one, the victim of the piece is Celia Johnson, a fine actress doomed to wear a stiff upper lip through the whole ugly mess...

Author: /time Magazine | Title: The New Pictures, Feb. 27, 1950 | 2/27/1950 | See Source »

...Philharmonic-Symphony Society of New York discovered that there's nothing like an oldtimey masked ball to attract partygoers. Staging a masquerade in the Waldorf-Astoria grand ballroom for its Pension Fund, the Philharmonic lured in 1,200 masked dancers, twice the number that attended two previous open-faced fund-raising parties. Among the celebrities and socialites who showed up (at $25 a ticket): the white-tied Marquess of Milford Haven and his American fiancee, Mrs. Romaine Simpson; black-tied ex-King Peter of Yugoslavia and Queen Alexandra; Warren Austin, permanent U.S. delegate to the U.N., and Mrs. Austin...

Author: /time Magazine | Title: People: The Restless Foot | 12/19/1949 | See Source »

...courtroom wall, over the grey head of the comrade president of the tribunal, hung the Red star emblem with hammer & sickle, and under the flag was the portrait of the all-powerful leader. But the face of the leader seemed to have changed: it was not the slyly benign mask of Joseph Stalin; it was the square, rather brutal face of Josip Broz Tito...

Author: /time Magazine | Title: International: The Face on the Courtroom Wall | 12/12/1949 | See Source »

Technically, Grosz ranges widely. Some of his early works show the influence of the first Italian abstractionists; others, like his "The Horseman is Here Again" and "Christ in a Gas Mask," have much of the quality of Durer's woodcuts. Later watercolors, however, are pure reflections of his own creativeness. These paintings, dating from 1946 to the present, repeatedly picture a twisted, angular, skeleton-like creature whom Grosz calls "the Gray Man." Other recurring symbols are an artist's canvas with a hole torn in its center, and a rainbow-colored flag torn from its staff. The series of water...

Author: By Stephen O. Saxe, | Title: ON EXHIBIT | 11/22/1949 | See Source »

First | Previous | 474 | 475 | 476 | 477 | 478 | 479 | 480 | 481 | 482 | 483 | 484 | 485 | 486 | 487 | 488 | 489 | 490 | 491 | 492 | 493 | 494 | Next | Last