Word: marlone
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Cinemactor Marlon Brando, who took off from a Hollywood movie set last fortnight and landed on the couch of his Manhattan psychiatrist, was sued for $2,000,000 by 20th Century-Fox, which called him irreplaceable in his role in The Egyptian, but said that his couch time was costing the studio...
...Wild One has Marlon Brando ditching Mark Anthony's toga for a pair of greasy blue jeans and a leather jacket. In the process he picks up a flashy motorcycle and some cool bop talk, and accompanied by a grizzly crew sporting well oiled side-burns, Brando roars to a stop in a one-car town. For a moment it looks like a desperadoes-shooting-up-the-village western with over-powered motorcycles replacing the trusty steed. But what might have been little more than a modern horse opera turns into a brutally realistic blend of tension and violence forceful...
...picture begins with the drum roar of motorcycle motors, as 30 or more of them pound over a highway between the crazy young legs of a bop-sent, trouble-hungry "sickle club" of teen-age boys. Pacing the pack is Marlon Brando, the wild one of the title, an actor whose sullen face, slurred accents and dream-drugged eye have made him a supreme portrayer of morose juvenility. The motorized wolves burst into the small town of Wrightsville, stack their machines along the curb, and pile into the local saloon to look for some action. They...
Contrary to the impression left by many reviews of the film, the great distinction of Julius Caesar is not the obvious success of Marlon Brando's diction lessons. Far more remarkable is the film's faithfulness to Shakespeare. As this suggests, Julius Caesar is perhaps even more notable for what it is not than for what it is. The film leans over backward to avoid any suggestion of spectacle, and there are no panoramic shots of Rome, no overblown crowd scenes, no technicolor sunsets to draw attention from beauty of language and intensity of feeling. Although the scenario discards some...
...Hollywood attempts at 3-D with glasses. ¶ Warner Bros., apparently abandoning its own WarnerScope wide-screen process, announced that it would use Fox's Cinema-Scope. Warner CinemaScopepics now in the works: A Star Is Born (with Judy Garland), Rear Guard (with Guy Madison), Mr. Roberts (with Marlon Brando), Helen of Troy, Scott's The Talisman...