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...MARC T. GREENE

Author: /time Magazine | Title: Letters, Nov. 28, 1949 | 11/28/1949 | See Source »

Regina (written & composed by Marc Blitzstein; produced by Cheryl Crawford in association with Clinton Wilder) sets Lillian Hellman's The Little Foxes to music. As music, it is more clever than distinguished; as drama, it is clearly a littler Foxes. But on its own terms-and they are wisely very much its own-it is an exhilarating and enjoyable show...

Author: /time Magazine | Title: The Theater: New Musical Play in Manhattan, Nov. 14, 1949 | 11/14/1949 | See Source »

...Marc Blitzstein, under a Koussevitzky commission, found these in "The Little-Foxes" by Lillian Hellman, and he calls the product "Regina." The play deals with a decadent, bickering Southern family which breaks to pieces over an unscrupulous money deal. The composer has worked into this a ball with many Southern belles and several appearances of singing and playing Negroes. In general the music effectively increases the tension, though, with a lack of variation in the first act which is exasperating. Many of the arias, particularly those of the sweet, flighty Birdie, are genuine mood pieces, effectively incorporating devices...

Author: By Herbert P. Gleason, | Title: THE PLAYGOER | 10/15/1949 | See Source »

...this time it rang true. Many established playwrights seemed to be between plays. Of shows hopefully announced for production so far, only a handful involved old hands: Terence Rattigan's Double Bill (a London import); a Maxwell Anderson-Kurt Weill dramatization of the novel Cry, the Beloved Country; Marc Blitzstein's musical version of Lillian Hellman's The Little Foxes; an S. N. Behrman adaptation called I Know My Love (with Alfred Lunt & Lynn Fontanne); a new Cole Porter musical, Heaven and Earth; Garson Kanin's The Rat Race...

Author: /time Magazine | Title: The Theater: New Season in Manhattan? | 9/12/1949 | See Source »

...flourished. Musically, 1948-49 could point with pride to Kiss Me, Kate as well as South Pacific; but, to only one enjoyable revue, Lend an Ear. It was a season when the mourners' bench was lined with Tennessee Williams, Clifford Odets, John van Druten, Kaufman & Ferber, Garson Kanin, Marc Connelly...

Author: /time Magazine | Title: The Theater: Annual Report | 6/6/1949 | See Source »

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