Word: marcs
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Also elected were John A. Lowe of Mower and New York City; George A. McDermott, Jr. of Mower and Port Washington, N.Y.; Andrew O. Shapiro of Thayer and West Hartford, Conn.; Marc A. Slotnick of Hottis and Newton Centre; Mark L. Winer of Greenough and Dallas, Texas; and R. Peter Wolf of Thayer and Beltsville...
...MARC CHAGALL DRAWINGS FOR THE BIBLE (Harcourt, Brace; $30), is a continuation of the artist's Biblical poem-without-words on which he has been engaged for more than 30 years. These drawings and lithographs have a power firmly rooted in a kind of sophisticated innocence. Marc Chagall takes the Old Testament literally, so that his Jewish inspiration seems sometimes to have been handed over to an unreconstructed Fundamentalist for execution. These powerful drawings are sensuous (Ruth in the Fields looks like a belly dancer) and sometimes terrible (Joel Kills Sisera), but always steeped in a mythical vision that...
...LITHOGRAPHS OF CHAGALL (220 pp ; Braziller; $25), has 237 reproductions « of them in color, which probably bears out the publisher's claim that it is a definitive collection of the artist's lithographs. Since they date from 1922 to 1960, Marc Chagall's development becomes fascinatingly apparent. That he drew well from the start is evident from so simple a sketch as Woman Walking. But, typical of Chagall, it is not quite so simple as it might seem. The woman is leaning almost to the point of falling, and her hands are pressed together...
Apparently convinced that the French army will keep on trying to make a soldier of Yves Saint-Laurent for his full 27-month stint as a draftee, the House of Dior last week named his replacement as the world's most publicized fashion designer: Marc Bohan, 34, in charge of Dior's successful London operation in the past two years. In contrast to Saint-Laurent's extreme, erratic styles, Bohan-first married man and father ever to hold the lofty Dior post-is notable for designing clothes that consistently prove their wearers have bosoms and waists...
...David Hays and Peter Wexler, was simple and flexible; Will Steven Armstrong lit it subtly and usefully. (I say subtly for I did not realize how good the lighting was until I thought about it after the performance--which is as it should be.) Marc Blitzstein's music may be good, but the reproduction was so inadequate and tinny that one can only guess. Among other aims attributable to the director, Jack Landau, is the addition of non-Shakespearean material, for the sake of an unfunny vaudeville...